In this Keynote address, I will explore the idea of Selfscapes to a more-than human-world. I will look at a few examples of my earlier work and then trace the subsequent (and I argue logical) development of a link between linguistic, visual and musical notation/expression in the work. I will then discuss how collaborative, practice-based research has led the development of the project. Finally, and in the main part of this talk/discussion, I will focus in on one project – Singing the World – a collaborative project between myself, composer and musician Bennett Hogg, printmaker Alex Charrington of Charrington Editions, Glass-maker Ayako Tani, Multi-media artist Andrew Richardson and poet Jake Campbell
In this project I explore the roles of interpreting and improvising vocalist, poet/lyricist, compose...
This special edition of Voices: A World Forum for Music Therapy is dedicated to the glorious blurred...
Through the use of the sung voice, this thesis investigates how the voice describes, defines and/or ...
Linguistic meaning for Merleau-Ponty is rooted in the felt experience induced by specific sounds and...
Real-world sound environments feature throughout sound-art. Fixed media soundscape compositions, ele...
Though music may not be a universal language, it is a facet that can help us understand each other a...
This chapter situates my creative process as provoking expressions that make audible the individual ...
This Major Research Project illustrates the Inclusive Design principle of “one-size-fits-one” throug...
SelfScapes is a new research cluster at York St John University and refers to the relationship betwe...
SelfScapes refers to the relationship between self and its environment and is a new research cluster...
We report on our experiences of two recent sonification pieces we have been involved in; composing f...
This article discusses the affordances of soundscape composition and how the techniques and approach...
This work explores soundscape and histories of sound technologies as they relate to the formation of...
The inspiration for this work is loosely based on Aboriginal creation myths, which told of legendary...
Autoethnography is an autobiographical genre that connects the personal to the cultural, social, and...
In this project I explore the roles of interpreting and improvising vocalist, poet/lyricist, compose...
This special edition of Voices: A World Forum for Music Therapy is dedicated to the glorious blurred...
Through the use of the sung voice, this thesis investigates how the voice describes, defines and/or ...
Linguistic meaning for Merleau-Ponty is rooted in the felt experience induced by specific sounds and...
Real-world sound environments feature throughout sound-art. Fixed media soundscape compositions, ele...
Though music may not be a universal language, it is a facet that can help us understand each other a...
This chapter situates my creative process as provoking expressions that make audible the individual ...
This Major Research Project illustrates the Inclusive Design principle of “one-size-fits-one” throug...
SelfScapes is a new research cluster at York St John University and refers to the relationship betwe...
SelfScapes refers to the relationship between self and its environment and is a new research cluster...
We report on our experiences of two recent sonification pieces we have been involved in; composing f...
This article discusses the affordances of soundscape composition and how the techniques and approach...
This work explores soundscape and histories of sound technologies as they relate to the formation of...
The inspiration for this work is loosely based on Aboriginal creation myths, which told of legendary...
Autoethnography is an autobiographical genre that connects the personal to the cultural, social, and...
In this project I explore the roles of interpreting and improvising vocalist, poet/lyricist, compose...
This special edition of Voices: A World Forum for Music Therapy is dedicated to the glorious blurred...
Through the use of the sung voice, this thesis investigates how the voice describes, defines and/or ...