This glass and steel sculpture, entitled ‘Helping Hands’ designed in collaboration with Colin Rennie, is made up of three separate shaped panels set at angles to each other to create an overall three dimensional organic and uplifted shape. The work represents healing/helping hands, raised up in a supplicant manner as if protecting a central space where healing and calm can be found. The work is made in waterjet cut, textured, laminated and toughened glass, set into a satin polished stainless steel base. The bases are welded to a thick galvanised steel base which is bolted into a reinforced concrete foundation
‘Hands of X’ (Pullin and Cook 2016-2020) investigates prosthetic hands, identity, fashion, and owner...
I respond to bone-like ceramic fragments in pursuit of a personal material language of purposeful ‘r...
CommuniPLAYtion: getting our hands dirty together is a weeklong installation of a collective ceramic...
The work of art, A Hand in Coral Bleaching, depicts two hands intertwined with fingers of bleached c...
Hands of X (www.handsofx.co.uk) is a reimagining of a prosthetics service that augments a clinical l...
This project is the culmination of curiosity with regard to the relationship between feeling (the em...
The intent of this thesis is to use human hands as an expressive form in clay. It is a very personal...
Continuing research into the extended use of float glass, this sculpture is comprised of 15mm thick,...
Monuments, a series of 16 photographs, depicts a hand, the artist’s own, in a series of interactions...
Upon gravels (or arguably cements), the artist scattered numerous human-hand shaped paper cuts from ...
My current ceramic work explores traditional ways of making that are informed by personal and cultur...
The multi-media installation The Feathered Hand by Maine artist Alison Hildreth takes its inspirat...
Clear hand-blown glass cupping glass, rounded shoulders, moulded point on top. Glass 2 1/2 in. tall,...
Techniques used: iridescent glass, masked, sandblasted. Sample was used in designing the Rise and Sh...
This thesis is a reflection on the process of Making in Sculpture. Technique and Thought are present...
‘Hands of X’ (Pullin and Cook 2016-2020) investigates prosthetic hands, identity, fashion, and owner...
I respond to bone-like ceramic fragments in pursuit of a personal material language of purposeful ‘r...
CommuniPLAYtion: getting our hands dirty together is a weeklong installation of a collective ceramic...
The work of art, A Hand in Coral Bleaching, depicts two hands intertwined with fingers of bleached c...
Hands of X (www.handsofx.co.uk) is a reimagining of a prosthetics service that augments a clinical l...
This project is the culmination of curiosity with regard to the relationship between feeling (the em...
The intent of this thesis is to use human hands as an expressive form in clay. It is a very personal...
Continuing research into the extended use of float glass, this sculpture is comprised of 15mm thick,...
Monuments, a series of 16 photographs, depicts a hand, the artist’s own, in a series of interactions...
Upon gravels (or arguably cements), the artist scattered numerous human-hand shaped paper cuts from ...
My current ceramic work explores traditional ways of making that are informed by personal and cultur...
The multi-media installation The Feathered Hand by Maine artist Alison Hildreth takes its inspirat...
Clear hand-blown glass cupping glass, rounded shoulders, moulded point on top. Glass 2 1/2 in. tall,...
Techniques used: iridescent glass, masked, sandblasted. Sample was used in designing the Rise and Sh...
This thesis is a reflection on the process of Making in Sculpture. Technique and Thought are present...
‘Hands of X’ (Pullin and Cook 2016-2020) investigates prosthetic hands, identity, fashion, and owner...
I respond to bone-like ceramic fragments in pursuit of a personal material language of purposeful ‘r...
CommuniPLAYtion: getting our hands dirty together is a weeklong installation of a collective ceramic...