A peculiar object deeply transformed Chinese cultural sphere in the 1990s: dakou (打口) CDs and tapes. Literally “cut”, the term dakou refers to CDs and tapes illegally sold on the Chinese black market. In the 1990s the Western musical industry suffered from a crisis, and exported to China unsold CDs and tapes in order to be recycled. To prevent them from being sold on the black market, the CDs are cut on their extremity; but since a CD is read from the center to the periphery, only the last track was lost. A large part of this musical waste was sold for a cheap price on several Chinese cities black market, defying Chinese censorship, since a lot of Western pop music was forbidden. Through the consumption of dakou, a whole generation of young...
This paper provides a detailed semiotic analysis of Chinese rock and pop music in the past 30 years....
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[[abstract]]This paper examines the “idol shops” specializing in products of Japanese popular music ...
Society of Fellows in the Humanities Lecture Series Fall 2017-18This lecture will address the issue ...
This paper looks at the development of Western popular music consumption in China, with particular f...
If you still remember what we said before (yes, it's been a while), you know that in the mid-1990s s...
Chinese values, face consciousness, other orientation, materialism, risk aversion, intention to buy ...
The project completed for my culminating experience was a research paper covering the music industry...
Born in the political turmoil of the 1989 student movement, Chinese rock music is often understood a...
Abstract: The twentieth century ended with the widespread conversion of cultural artefacts into digi...
This paper provides a detailed semiotic analysis of Chinese rock and pop music in the past 30 years....
On one hand, Chinese consumers are well known for conspicuous consumption and the adoption of luxury...
Copycat Culture in Contemporary China The focus of this thesis is copycat culture in contemporary Ch...
This study focuses on how the expanding market for pirated music in Vietnam has led to transnational...
West, Matthew Ellis.Thesis (M.Phil.)--Chinese University of Hong Kong, 2006.Includes bibliographical...
This paper provides a detailed semiotic analysis of Chinese rock and pop music in the past 30 years....
The article provides opinions of some Beijing experimental electronic musicians about the situation ...
[[abstract]]This paper examines the “idol shops” specializing in products of Japanese popular music ...
Society of Fellows in the Humanities Lecture Series Fall 2017-18This lecture will address the issue ...
This paper looks at the development of Western popular music consumption in China, with particular f...
If you still remember what we said before (yes, it's been a while), you know that in the mid-1990s s...
Chinese values, face consciousness, other orientation, materialism, risk aversion, intention to buy ...
The project completed for my culminating experience was a research paper covering the music industry...
Born in the political turmoil of the 1989 student movement, Chinese rock music is often understood a...
Abstract: The twentieth century ended with the widespread conversion of cultural artefacts into digi...
This paper provides a detailed semiotic analysis of Chinese rock and pop music in the past 30 years....
On one hand, Chinese consumers are well known for conspicuous consumption and the adoption of luxury...
Copycat Culture in Contemporary China The focus of this thesis is copycat culture in contemporary Ch...
This study focuses on how the expanding market for pirated music in Vietnam has led to transnational...
West, Matthew Ellis.Thesis (M.Phil.)--Chinese University of Hong Kong, 2006.Includes bibliographical...
This paper provides a detailed semiotic analysis of Chinese rock and pop music in the past 30 years....
The article provides opinions of some Beijing experimental electronic musicians about the situation ...
[[abstract]]This paper examines the “idol shops” specializing in products of Japanese popular music ...