National dress is a significant factor in a culture’s international identity and therefore, is especially political. While each nation has a higher, official culture that is portrayed internationally, people living within that culture have their own creative craft and ways of doing things. Although ritualistic aspects, including national dress, bind a society together, liminal moments tend to lead to a change in ritual or rather, the creation of a new narrative. Dr. Karl Aspelund used his study of national dress, and more specifically the female image, in Iceland to reveal the political influences that surround a nation’s identity in the form of dress
In a comment on Richard F. Tomasson’s 1980 book about Iceland, the American sociologist Seymour Mart...
The study is a critical assessment of the Islendingasögur and ĺslendingaÞættir through the lens of c...
This article charts the role of Finnur Jónsson’s Historia Ecclesiastica Islandiæ in the development ...
The Icelandic sweater is presented and received as being traditional—even ancient—authentically Ic...
A thesis submitted for a final examination for the degree of Doctor of Philosophy, Department of Soc...
The main objective of this dissertation is to seek answers to three questions: 1) Why did it take so...
The Icelandic sweater has a reputation of being “traditional” or “original”, even though the sweater...
In this study it is argued that femininity is mediated by historical and cultural factors. I explore...
This dissertation elucidates the adoption o f the notion o f purity and its central role in the pro...
A thesis submitted for a final examination for the degree of Doctor of Philosophy in Anthropology as...
This report explores the historical, cultural, and artistic significance of the female whetter figur...
This dissertation uses the Icelandic-Canadian community to discuss alternate media and the productio...
The traditional costume is the symbol of the nationality. We can see many kinds of styles, admirable...
The goal of this study is to analyze how ideas of Icelandic classlessness manifest themselves in pub...
The aim of this study is to identify how people active in the field of folk dress in Skåne view the ...
In a comment on Richard F. Tomasson’s 1980 book about Iceland, the American sociologist Seymour Mart...
The study is a critical assessment of the Islendingasögur and ĺslendingaÞættir through the lens of c...
This article charts the role of Finnur Jónsson’s Historia Ecclesiastica Islandiæ in the development ...
The Icelandic sweater is presented and received as being traditional—even ancient—authentically Ic...
A thesis submitted for a final examination for the degree of Doctor of Philosophy, Department of Soc...
The main objective of this dissertation is to seek answers to three questions: 1) Why did it take so...
The Icelandic sweater has a reputation of being “traditional” or “original”, even though the sweater...
In this study it is argued that femininity is mediated by historical and cultural factors. I explore...
This dissertation elucidates the adoption o f the notion o f purity and its central role in the pro...
A thesis submitted for a final examination for the degree of Doctor of Philosophy in Anthropology as...
This report explores the historical, cultural, and artistic significance of the female whetter figur...
This dissertation uses the Icelandic-Canadian community to discuss alternate media and the productio...
The traditional costume is the symbol of the nationality. We can see many kinds of styles, admirable...
The goal of this study is to analyze how ideas of Icelandic classlessness manifest themselves in pub...
The aim of this study is to identify how people active in the field of folk dress in Skåne view the ...
In a comment on Richard F. Tomasson’s 1980 book about Iceland, the American sociologist Seymour Mart...
The study is a critical assessment of the Islendingasögur and ĺslendingaÞættir through the lens of c...
This article charts the role of Finnur Jónsson’s Historia Ecclesiastica Islandiæ in the development ...