Perhaps the most important thing to do when thinking about 'world cinema' is to destabilise the term, to question the logic of each word. Clearly, the concept is desgined to go beyond two central rubrics for film followers, critics and historians: national cinema and Hollywood..
Deleuze's Cinema books continue to cause controversy. Although they offer radical new ways of unders...
This article examines Chinese cinema to think further about defining and researching transnational c...
In the first instance, the course introduces films of outstanding importance that have made signific...
However common it has become, the term World Cinema still lacks a proper, positive definition. Despi...
As a category which seeks to represent the totality of global film productions, World Cinema is here...
World cinema (as a successor to national cinema) has always defined itself against Hollywood on the ...
This article aims at considering the world cinema "perspective" in contemporary film studies as an a...
This article aims at considering the world cinema "perspective" in contemporary film studies as an a...
This essay discusses the evolving concept of national cinema in the era of globalization
This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homog...
Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the na...
This article considers whether the transnational turn is not, in fact, part of something much larger...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
This chapter considers the potential of certain types of philosophy – specifically the “transmodern”...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
Deleuze's Cinema books continue to cause controversy. Although they offer radical new ways of unders...
This article examines Chinese cinema to think further about defining and researching transnational c...
In the first instance, the course introduces films of outstanding importance that have made signific...
However common it has become, the term World Cinema still lacks a proper, positive definition. Despi...
As a category which seeks to represent the totality of global film productions, World Cinema is here...
World cinema (as a successor to national cinema) has always defined itself against Hollywood on the ...
This article aims at considering the world cinema "perspective" in contemporary film studies as an a...
This article aims at considering the world cinema "perspective" in contemporary film studies as an a...
This essay discusses the evolving concept of national cinema in the era of globalization
This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homog...
Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the na...
This article considers whether the transnational turn is not, in fact, part of something much larger...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
This chapter considers the potential of certain types of philosophy – specifically the “transmodern”...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
Deleuze's Cinema books continue to cause controversy. Although they offer radical new ways of unders...
This article examines Chinese cinema to think further about defining and researching transnational c...
In the first instance, the course introduces films of outstanding importance that have made signific...