In this audio article, the author reViews Ntozake Shange’s groundbreaking work on black girlhood/womanhood, for colored girls who’ve considered suicide when the rainbow is enuf. She briefly provides the personal context through which she interacts with the text for the first and latest time. She expands the narrative of black girlhood/womanhood into the personal by examining the actions of the characters and herself through Dr. DeGruy’s lens of Post-Traumatic Slavery Syndrome. Track 1 provides the narrative context and theoretical framework. Tracks 2 – 5 are the author’s performative responses. Track 6 lists the bibliography, while Track 7 provides a short bio of the author
In this independent study I will be analyzing Ntozake Shange\u27s play for colored girls who have co...
The concept and criteria of what constitutes the American long poem has been debated by critics for ...
This paper aims to explore the frequencies of using the Attitudinal resources in Shange‟s Postmodern...
In this audio article, the author reViews Ntozake Shange’s groundbreaking work on black girlhood/wom...
Structurally, For Colored Girls is a series of 20 poems, collectively called a choreopoem. Shange\u2...
Structurally, For Colored Girls is a series of 20 poems, collectively called a choreopoem. Shange\u2...
White customs and values have traditionally monopolized commercial theatre. It is not until recently...
By sharing the experiences of women and the black community of her time, represented as a journey to...
White customs and values have traditionally monopolized commercial theatre. It is not until recently...
This paper discusses Beyonce’s Lemonade, a visual album released in 2016, and Ntzake Shange’s famous...
Black women’s autobiographical writings have historically been ignored, dismissed, and overlooked. A...
Black women’s autobiographical writings have historically been ignored, dismissed, and overlooked. A...
Black women’s autobiographical writings have historically been ignored, dismissed, and overlooked. A...
White customs and values have traditionally monopolized commercial theatre. It is not until recently...
Black women’s voices in literature and television have been marginalized for decades. Whether they a...
In this independent study I will be analyzing Ntozake Shange\u27s play for colored girls who have co...
The concept and criteria of what constitutes the American long poem has been debated by critics for ...
This paper aims to explore the frequencies of using the Attitudinal resources in Shange‟s Postmodern...
In this audio article, the author reViews Ntozake Shange’s groundbreaking work on black girlhood/wom...
Structurally, For Colored Girls is a series of 20 poems, collectively called a choreopoem. Shange\u2...
Structurally, For Colored Girls is a series of 20 poems, collectively called a choreopoem. Shange\u2...
White customs and values have traditionally monopolized commercial theatre. It is not until recently...
By sharing the experiences of women and the black community of her time, represented as a journey to...
White customs and values have traditionally monopolized commercial theatre. It is not until recently...
This paper discusses Beyonce’s Lemonade, a visual album released in 2016, and Ntzake Shange’s famous...
Black women’s autobiographical writings have historically been ignored, dismissed, and overlooked. A...
Black women’s autobiographical writings have historically been ignored, dismissed, and overlooked. A...
Black women’s autobiographical writings have historically been ignored, dismissed, and overlooked. A...
White customs and values have traditionally monopolized commercial theatre. It is not until recently...
Black women’s voices in literature and television have been marginalized for decades. Whether they a...
In this independent study I will be analyzing Ntozake Shange\u27s play for colored girls who have co...
The concept and criteria of what constitutes the American long poem has been debated by critics for ...
This paper aims to explore the frequencies of using the Attitudinal resources in Shange‟s Postmodern...