Throughout his career, New York-based experimental filmmaker and animator Jeff Scher has created animated works that are in dialogue with the diary film tradition in avant-garde cinema. Scher uses his distinctive single-frame rotoscope and collage animation technique to investigate the selective nature of memory and to celebrate the moments that constitute everyday life. Scher’s animated trilogy, You Won’t Remember This (2007), You Won’t Remember This Either (2009), and You Might Remember This (2011), depicts a series of everyday moments in the early childhoods of his two sons Buster and Oscar. The trilogy is centred on the mnemonic phenomenon that is referred to in developmental and cognitive psychology as childhood amnesia, which has pres...
The paper Memory Theatre. Notes on Remembrance and Oblivion. From Chaos through Abstraction towards ...
The purpose of this thesis is to support a series of works that represent different ideas on my life...
This article focuses on the results of my research project on cinemagoing heritage, concluding with ...
Throughout his career, New York-based experimental filmmaker and animator Jeff Scher has created ani...
While the 1962 French science fiction film La Jetée presents a straightforward narrative premise, it...
In the broadest terms, stop motion animation is the animation of physical objects (as opposed to com...
The recent influx of films addressing different aspects of memory loss inspired the development of a...
Memory, essential in creative writing, inspires us to weave literary reading into the narrative of p...
Animation plays with time and space. The image can be moved forward or backward. It can be built upo...
Video installation composed from 4 x 11-minute photo/poetic/film essays with dynamic typographic ele...
In old mnemonic systems, like the Memory Palaces (Ricci) and the Memory Circles (Llull), the general...
Over the past year colleagues from LCC and UAL's Experimental Pedagogies Research Group (EPRG), Dr N...
Jeffrey Moore’s The Memory Artists (2004) represents a recent turn in contemporary Canadian literatu...
Our birth is but a sleep and a forgetting. The infantile amnesia is the birth of the soul, the dream...
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
The paper Memory Theatre. Notes on Remembrance and Oblivion. From Chaos through Abstraction towards ...
The purpose of this thesis is to support a series of works that represent different ideas on my life...
This article focuses on the results of my research project on cinemagoing heritage, concluding with ...
Throughout his career, New York-based experimental filmmaker and animator Jeff Scher has created ani...
While the 1962 French science fiction film La Jetée presents a straightforward narrative premise, it...
In the broadest terms, stop motion animation is the animation of physical objects (as opposed to com...
The recent influx of films addressing different aspects of memory loss inspired the development of a...
Memory, essential in creative writing, inspires us to weave literary reading into the narrative of p...
Animation plays with time and space. The image can be moved forward or backward. It can be built upo...
Video installation composed from 4 x 11-minute photo/poetic/film essays with dynamic typographic ele...
In old mnemonic systems, like the Memory Palaces (Ricci) and the Memory Circles (Llull), the general...
Over the past year colleagues from LCC and UAL's Experimental Pedagogies Research Group (EPRG), Dr N...
Jeffrey Moore’s The Memory Artists (2004) represents a recent turn in contemporary Canadian literatu...
Our birth is but a sleep and a forgetting. The infantile amnesia is the birth of the soul, the dream...
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
The paper Memory Theatre. Notes on Remembrance and Oblivion. From Chaos through Abstraction towards ...
The purpose of this thesis is to support a series of works that represent different ideas on my life...
This article focuses on the results of my research project on cinemagoing heritage, concluding with ...