This Master of Arts thesis investigates and draws conclusions regarding how creative arts present accommodating spaces for articulating and understanding cultural mixedness amongst Pacific populations in New Zealand. New Zealand is home to an expanding Pacific population; statistics identify a growing number of these Pacific people who are multi-ethnic, and who are claiming their mixedness in official census data. As Pacific populations have grown, Pacific artists have risen to national prominence in visual, literary and performing arts. Many of these artists have themselves been of mixed ancestry. This thesis examines the work of three female New Zealand artists of mixed Samoan-English or Samoan-Indian descent, asking, “How do these artist...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This Master of Arts thesis investigates and draws conclusions regarding how creative arts present ac...
This Master of Arts thesis investigates and draws conclusions regarding how creative arts present ac...
Pasifika literature is an expanding, dynamic field which, like other Pasifika creative productions, ...
Pasifika literature is an expanding, dynamic field which, like other Pasifika creative productions, ...
Paper submitted to The Space Between: Negotiating Culture, Place, and Identity in the Pacific; based...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
This thesis examines the construction of hybrid and fluid ethnic identity elements as produced by Mā...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
This exegesis investigates my identity as a contemporary New Zealand-born Samoan artist. It is my in...
AFFINITIES AND AFFILIATIONS: BLACK PACIFIC ART IN THE UNITED STATES AND AOTEAROA/NEW ZEALAND, 1948-2...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This Master of Arts thesis investigates and draws conclusions regarding how creative arts present ac...
This Master of Arts thesis investigates and draws conclusions regarding how creative arts present ac...
Pasifika literature is an expanding, dynamic field which, like other Pasifika creative productions, ...
Pasifika literature is an expanding, dynamic field which, like other Pasifika creative productions, ...
Paper submitted to The Space Between: Negotiating Culture, Place, and Identity in the Pacific; based...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
This thesis examines the construction of hybrid and fluid ethnic identity elements as produced by Mā...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
In this thesis, Samoan music and identity are woven together and expressed simultaneously through ne...
This exegesis investigates my identity as a contemporary New Zealand-born Samoan artist. It is my in...
AFFINITIES AND AFFILIATIONS: BLACK PACIFIC ART IN THE UNITED STATES AND AOTEAROA/NEW ZEALAND, 1948-2...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...
This thesis focuses on notions of ‘traditional’ and ‘contemporary’ theatre in two Pacific Island con...