The goal of the present study was to examine the relationships and differences between emotion perceived (i.e., the emotional quality expressed by music) and emotion felt (i.e., the individual's emotional response to music). Thirty-two participants listened to 12 music pieces differing in terms of a priori basic emotional quality, and rated the music from two points of view (i.e., emotion felt and emotion perceived) using 16 adjectives from dimensional models of emotion. As expected, in general, music seemed to arouse emotions similar to the emotional quality perceived in music. However, the affect ratings were significantly moderated by the point of view from which the emotions were assessed. Felt emotions were stronger than perceived e...
People value music mainly for its abilities to induce emotions. Yet little is known about these expe...
The study tested the hypothesis that people\u2019s emotion knowledge enables them to recognize subtl...
The study of emotional effects of music is handicapped by a lack of appropriate research paradigms a...
One reason for the universal appeal of music lies in the emotional rewards that music offers to its ...
In this study, we examined whether people listening to music experience emotions which are congruent...
We studied the emotional responses by musicians to familiar classical music excerpts both when the m...
We know little about the mechanics behind emotions perceived in music because of the subjective nat...
Emotions have been found to play a paramount role in both everyday music experiences and health appl...
This study examines empirically the possible relationships between the emotional quality one can ...
It is now widely accepted that the perception of emotional expression in music can be vastly differe...
We investigated whether formally trained musicians have differential emotional responses to music th...
In general, sad music is thought to cause us to experience sadness, which is considered an unpleasan...
In his seminal paper, Gabrielsson (2002) distinguishes between emotion felt by the listener, here: ‘...
Abstract A basic issue about musical emotions concerns whether music elicits emotional responses in ...
Previous theories about aesthetic appreciation suggest that the introduction of a contrasting stimul...
People value music mainly for its abilities to induce emotions. Yet little is known about these expe...
The study tested the hypothesis that people\u2019s emotion knowledge enables them to recognize subtl...
The study of emotional effects of music is handicapped by a lack of appropriate research paradigms a...
One reason for the universal appeal of music lies in the emotional rewards that music offers to its ...
In this study, we examined whether people listening to music experience emotions which are congruent...
We studied the emotional responses by musicians to familiar classical music excerpts both when the m...
We know little about the mechanics behind emotions perceived in music because of the subjective nat...
Emotions have been found to play a paramount role in both everyday music experiences and health appl...
This study examines empirically the possible relationships between the emotional quality one can ...
It is now widely accepted that the perception of emotional expression in music can be vastly differe...
We investigated whether formally trained musicians have differential emotional responses to music th...
In general, sad music is thought to cause us to experience sadness, which is considered an unpleasan...
In his seminal paper, Gabrielsson (2002) distinguishes between emotion felt by the listener, here: ‘...
Abstract A basic issue about musical emotions concerns whether music elicits emotional responses in ...
Previous theories about aesthetic appreciation suggest that the introduction of a contrasting stimul...
People value music mainly for its abilities to induce emotions. Yet little is known about these expe...
The study tested the hypothesis that people\u2019s emotion knowledge enables them to recognize subtl...
The study of emotional effects of music is handicapped by a lack of appropriate research paradigms a...