This brief article considers “9 Evenings Reconsidered: Art, Theatre and Engineering, 1966,” an exhibition organized by the independent curator Catherine Morris for the List Center for Visual Arts at Massachusetts Institute of Technology (MIT), from May 4 - July 9, 2006
Silicon Valley has colonized every corner of the globe. Art has been eclipsed by engineering; the Da...
In North America, there are over one hundred programs and labs committed to collaborative experiment...
The article will analyze the artistic practice of two artists –Jane Prophet and Paul Catanese– withi...
This dissertation examines the historical case study of 9 Evenings: Theatre & Engineering, a 196...
In North America, there are currently over 100 programs and labs committed to collaborative experime...
Following the exhibition of Hybrid Bodies at KKW in 2016 Andrew Carnie and I were invited back to ac...
Amundson traces the histories of electronic technologies, video, and electronic art, examining the s...
International audienceBilingual publication in French and Englishhttp://www.fondation-langlois.org/f...
Slyce contributes an essay to this volume–deriving from the 2018 Verbier Art Summit with the theme M...
As art influences science and technology, science and technology can in turn inspire art. Recognizin...
The live, embodied, material, and interactive qualities of performance have made it a notable means ...
This article examines Douglas Repetto's "Slowscan Soundwave (III)," on view at Location One from Oct...
The article focuses on music and art projects of the British cybernetician Gordon Pask from the 1950...
The Print Screen Festival is hosting 13 international video artists this year exploring the ways in ...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
Silicon Valley has colonized every corner of the globe. Art has been eclipsed by engineering; the Da...
In North America, there are over one hundred programs and labs committed to collaborative experiment...
The article will analyze the artistic practice of two artists –Jane Prophet and Paul Catanese– withi...
This dissertation examines the historical case study of 9 Evenings: Theatre & Engineering, a 196...
In North America, there are currently over 100 programs and labs committed to collaborative experime...
Following the exhibition of Hybrid Bodies at KKW in 2016 Andrew Carnie and I were invited back to ac...
Amundson traces the histories of electronic technologies, video, and electronic art, examining the s...
International audienceBilingual publication in French and Englishhttp://www.fondation-langlois.org/f...
Slyce contributes an essay to this volume–deriving from the 2018 Verbier Art Summit with the theme M...
As art influences science and technology, science and technology can in turn inspire art. Recognizin...
The live, embodied, material, and interactive qualities of performance have made it a notable means ...
This article examines Douglas Repetto's "Slowscan Soundwave (III)," on view at Location One from Oct...
The article focuses on music and art projects of the British cybernetician Gordon Pask from the 1950...
The Print Screen Festival is hosting 13 international video artists this year exploring the ways in ...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
Silicon Valley has colonized every corner of the globe. Art has been eclipsed by engineering; the Da...
In North America, there are over one hundred programs and labs committed to collaborative experiment...
The article will analyze the artistic practice of two artists –Jane Prophet and Paul Catanese– withi...
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