The issue of knowledge and skills as competing factors in music education is currently an issue. This is a matter which not only affects the English system specifically, however, as there are strains of it being felt in many jurisdictions throughout the world. It is conceptualisations of this dichotomy that are influencing what is enacted in policy. This is having an impact at both the macro and micro levels in and between schools and education system
In this study, one-to-one tuition in higher music education (HME) was theorised as a culturally and ...
The Information Age poses a crucial dilemma for musicologists. If our courses value the disseminatio...
Robert Benchley, the famous American columnist, once quipped that ‘there are two kinds of people in ...
The issue of knowledge and skills as competing factors in music education is currently an issue. Thi...
Everyone is musical and has the potential to be a musician (Mills, 2005; Welch, 2008). Are secondary...
As we move forward, there is much need for some national direction on the teaching of the Arts. The ...
This article argues that a systematic, developmental and comprehensive music education should be at ...
The Information Age poses a crucial dilemma for musicologists. If our courses value the disseminatio...
The purpose of this study was to investigate whether students’ previous musical knowledge affected t...
It is fair to say that the Model Music Curriculum has caused quite a stir in music classrooms in Eng...
The international drive among western countries to shift from industrial to knowledge economies has ...
The National Curriculum for Music in England at Key Stage 3 (KS3; age 11-14) declares its purpose th...
Even as a series of concepts of knowledge – knowledge production, knowledge as a commodity, useful k...
Research claims that entrepreneurial skills and knowledge are important for the careers of musicians...
In some music educational contexts, a distinction is made between technical and expressive skills. I...
In this study, one-to-one tuition in higher music education (HME) was theorised as a culturally and ...
The Information Age poses a crucial dilemma for musicologists. If our courses value the disseminatio...
Robert Benchley, the famous American columnist, once quipped that ‘there are two kinds of people in ...
The issue of knowledge and skills as competing factors in music education is currently an issue. Thi...
Everyone is musical and has the potential to be a musician (Mills, 2005; Welch, 2008). Are secondary...
As we move forward, there is much need for some national direction on the teaching of the Arts. The ...
This article argues that a systematic, developmental and comprehensive music education should be at ...
The Information Age poses a crucial dilemma for musicologists. If our courses value the disseminatio...
The purpose of this study was to investigate whether students’ previous musical knowledge affected t...
It is fair to say that the Model Music Curriculum has caused quite a stir in music classrooms in Eng...
The international drive among western countries to shift from industrial to knowledge economies has ...
The National Curriculum for Music in England at Key Stage 3 (KS3; age 11-14) declares its purpose th...
Even as a series of concepts of knowledge – knowledge production, knowledge as a commodity, useful k...
Research claims that entrepreneurial skills and knowledge are important for the careers of musicians...
In some music educational contexts, a distinction is made between technical and expressive skills. I...
In this study, one-to-one tuition in higher music education (HME) was theorised as a culturally and ...
The Information Age poses a crucial dilemma for musicologists. If our courses value the disseminatio...
Robert Benchley, the famous American columnist, once quipped that ‘there are two kinds of people in ...