Current musical improvisation systems are able to generate unidimensional musical sequences by recombining their musical contents. However, considering several dimensions (melody, harmony...) and several temporal levels are difficult issues. In this thesis, we propose to combine probabilistic approaches with formal language theory in order to better assess the complexity of a musical discourse, both from a multidimensional and multi-level point of view in the context of improvisation where the amount of data is limited. First, we present a system able to follow the contextual logic of an improvisation modelled by a factor oracle whilst enriching its musical discourse with multidimensional knowledge represented by interpolated probabilistic ...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
Abstract. In the following paper a simple interactive system for non-idiomatic improvisation is pres...
The paper deals with question of music modeling and generation, capturing the idiomatic style of a c...
Current musical improvisation systems are able to generate unidimensional musical sequences by recom...
Les systèmes actuels d’improvisation musicales sont capables de générer des séquences musicales unid...
International audienceThis paper presents two methods using training over multidimensional sequences...
International audienceThis paper focuses on learning the hierarchical structure of a temporal scenar...
This thesis focuses on the introduction of authoring and controls in human-computer music improvisat...
National audienceLes systèmes d'improvisation automatique issus du paradigme OMax utilisent un appre...
International audienceImprovisation intrinsically carries a dialectic between spontaneity/reactivity...
Jury : M. Jean-Paul Allouche M. Jean-Claude Bertrand M. Eugène Chouraqui M. Alain Guénoche M. Otto L...
International audienceWe describe a system that allows improvisers and composers to construct an int...
The field of musical scenario inference aims at developing systems and algorithms to automatically e...
cote interne IRCAM: Rueda06aNone / NoneNational audienceMachine improvisation and related style simu...
Gestural Improvisation is a type of free improvisation that aims to create short and long-term relat...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
Abstract. In the following paper a simple interactive system for non-idiomatic improvisation is pres...
The paper deals with question of music modeling and generation, capturing the idiomatic style of a c...
Current musical improvisation systems are able to generate unidimensional musical sequences by recom...
Les systèmes actuels d’improvisation musicales sont capables de générer des séquences musicales unid...
International audienceThis paper presents two methods using training over multidimensional sequences...
International audienceThis paper focuses on learning the hierarchical structure of a temporal scenar...
This thesis focuses on the introduction of authoring and controls in human-computer music improvisat...
National audienceLes systèmes d'improvisation automatique issus du paradigme OMax utilisent un appre...
International audienceImprovisation intrinsically carries a dialectic between spontaneity/reactivity...
Jury : M. Jean-Paul Allouche M. Jean-Claude Bertrand M. Eugène Chouraqui M. Alain Guénoche M. Otto L...
International audienceWe describe a system that allows improvisers and composers to construct an int...
The field of musical scenario inference aims at developing systems and algorithms to automatically e...
cote interne IRCAM: Rueda06aNone / NoneNational audienceMachine improvisation and related style simu...
Gestural Improvisation is a type of free improvisation that aims to create short and long-term relat...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
Abstract. In the following paper a simple interactive system for non-idiomatic improvisation is pres...
The paper deals with question of music modeling and generation, capturing the idiomatic style of a c...