Cheng gong zhi yi -- zhang ting ji (1768-1848) shu fa xin tan

⾦⽂書法是清代才出現的⼀種新書體，在誕⽣之初，以臨寫鐘鼎銅器上的銘⽂款識為主要內容。長期以來，有關⾦⽂書法形成背景的解釋，以“學術影響書法”的說法佔據主導，認為它是當時學術研究在書法藝術領域結出的果實。這種解釋，如果僅⽤在本身是學者的⾦⽂書法作者身上，邏輯上並無問題。但⾦⽂書法的歷史並非由學者書法家寫就，還有⼀些書家本身並非學者，當他們在進⾏此種書體的創作時，其間巨⼤的知識性鴻溝又是怎樣被彌合的呢︖本研究的對象張廷濟，即當時⼀位非學者⾦⽂書家，他的主業是收藏。本⽂以區分他與同時期學者的⾦⽂書法為起點，不僅釐清更正了解讀其⾦⽂書法的模糊乃至謬誤之處，也為了解⾦⽂書法補充了更具層次感的背景。張廷濟的⾦⽂書法實際上從屬於他個⼈獨創的⼀種書法類型──“鑒藏書法”。因由對此類型的確認，本⽂繼⽽得到⼀項有關書法社會功能的“非傳統”認知，即其宣傳功能。關鍵詞： ⾦⽂書法︔鑒藏書法︔書法的社會功能Bronze-script calligraphy is a new form of art that emerged when Qing calligraphers began to write by modeling on ancient bronze inscriptions. It has long been regarded by art historians as a product of the Qing academic research, or more specifically the etymology study of bronze inscriptions, and therefore it has always been attributed to scholars of bronze studies. However, this view is not without question as it cannot explain why there are works of bronze-script calligraphy produced by nonscholar calligraphers. This research takes Zhang Tingji as a case study, for he has been “mistakenly” recorded as a scholar-calligrapher of bronze script, but in fact he was a collector rather than a scholar of ancient bronzes. By clarifying Zhang’s position as a collector, this study provides a better understanding of the nature of his calligraphy and enriches the historical context of the practice of bronze-script writing. In addition, by identifying Zhang’s calligraphy as “collector’s calligraphy”, this thesis also contributes to expanding our knowledge on the social function of traditional Chinese calligraphy, particularly the function of self-promotion and network building.Keywords: bronze-script calligraphy; collector’s calligraphy; social function of Chinese calligraphy周成.Thesis Ph.D. Chinese University of Hong Kong 2016.Includes bibliographical references (leaves ).Abstracts in English and Chinese.Title from PDF title page (viewed on …).Zhou cheng.Detailed summary in vernacular field only.Detailed summary in vernacular field only