Qi, ba shi nian dai zhi jiao Xianggang dian ying zhong jie yu Zhongguo da lu dian ying zai Xianggang de chuan bo ji jie shou

本文探討在1970年代及1980年代之交，香港電影文化中介在傳播中國大陸電影的重要角色及他們如何評論大陸電影。在這段期間，除了香港左派系統在院線發行大陸電影，電影文化組織舉辦的影展與特別放映活動也十分熾熱，甚至引起更大的文化迴響。本文先追溯香港電影文化人的舞台──電影會(如香港電影文化中心)和電影雜誌(如《大特寫》和《電影雙周刊》)的發展，闡述香港電影文化人的電影觀、電影雜誌的編輯方針及香港電影文化與政治的關係等範疇。本文然後探討香港左派的院線和電影組織放映的電影，包括票房、觀眾、宣傳、片源、各類影展等，及放映對於電影接受的影響。這些語境將會帶出論文最重要的部份：分析香港影評人如何研究和評論1949年後的中國大陸電影製作及早期中國電影，並特別提出我們要考慮涉及的美學與非美學語境。最後，本文會評估在七、八十年代之交，香港電影文化人對中國電影的放映與評論，在華語電影的傳播與研究上有何意義。This thesis analyzes the important role played by film critics in the circulation and reception of mainland Chinese films in Hong Kong at the turn of the 1980s. During this period, besides distributed by Hong Kong leftist camp in movie theatres, mainland Chinese films were also screened in different kinds of film festivals organized by film critics and organizations, which brought greater cultural influence. This thesis first traces the development of Hong Kong film culture, analyzing the roles played by critics, film clubs (e.g. Hong Kong Film Culture Centre) and film magazines (e.g. Close Up and Film Biweekly). Different aspects, such as Hong Kong critics’ ideas on cinema, film magazines’ objectives and principles of editing, and the relationship between Hong Kong film culture and politics would be elaborated. Then, this thesis would examine the circulation of mainland Chinese films by Hong Kong leftist camp and film organizations, including topics on box office, audience, promotion, sources of films, various film festivals and the influence on film criticism. With these essential contexts mentioned above, the most important objective of this study is to analyze how Hong Kong critics researched on and criticized the mainland Chinese films produced under People’s Republic of China as well as the early Chinese cinema. Both aesthetic and non-aesthetic factors are taken into account. Finally, this thesis evaluates how Hong Kong critics at the turn of 1980s contributed to the promotion and studies of Chinese cinemas.李惠銘.Thesis M.Phil. Chinese University of Hong Kong 2016.Includes bibliographical references (leaves ).Abstracts in English and Chinese.Title from PDF title page (viewed on …).Li hui ming.Detailed summary in vernacular field only