This paper examines the rehearsal of familiar debates about how to raise children within the genre of ‘transformational television’ in the UK. It explores the prevalence in symbolic and cultural fields of ideas about ‘poor parenting’ as an expression of pathological culture and lifestyle, alongside the psychological ethic that operates within transformational television. Using examples drawn from the Supernanny (Ricochet Productions, Channel 4, 2003), the most popular of these programmes, and drawing on the work of Nikolas Rose and Pierre Bourdieu, I argue that parenting acts as a significant site for the psychologising of a particular parental habitus, which in turn operates within a wider cultural moment of the individualisation of social...
This thesis is an empirical study examining personhood. More specifically, it is concerned with the ...
Whilst not denying the continued power of hegemonic ideologies of mothering, it has been suggested t...
This essay serves as a response to the ‘nightmarish’ discourse that emerged after the broadcast of C...
In 2004 the problem of bad parenting came to the British public’s attention in a string of reality T...
This thesis examines the texture of contemporary parenting culture, examining how 'childrearing', as...
Since 2003, British television has seen a new set of media therapeutic genres emerge around the spe...
Udgivelsesdato: OCTIn 2003, a new reality TV genre appeared on British public television built on th...
This article considers the place of the ‘everyday’ and ‘practice’ in media ethnography and audience ...
Historically, the majority of work on British children’s television has adopted either an institutio...
In the post-war English media, ‘modern’ parenting referred to psychologically-inspired styles of par...
In this thesis I show how the child television audience is imagined and acted upon within an adminis...
The UK Channel Four reality television programmes Supersize vs Superskinny and Supersize vs Superski...
Today, there is a widespread idea that parents need to learn how to carry out their roles as parents...
This article addresses the representation and mediation of the child-as-subject in British reality-t...
Author version made available in accordance with the publisher's policy.Inspired by a review of the ...
This thesis is an empirical study examining personhood. More specifically, it is concerned with the ...
Whilst not denying the continued power of hegemonic ideologies of mothering, it has been suggested t...
This essay serves as a response to the ‘nightmarish’ discourse that emerged after the broadcast of C...
In 2004 the problem of bad parenting came to the British public’s attention in a string of reality T...
This thesis examines the texture of contemporary parenting culture, examining how 'childrearing', as...
Since 2003, British television has seen a new set of media therapeutic genres emerge around the spe...
Udgivelsesdato: OCTIn 2003, a new reality TV genre appeared on British public television built on th...
This article considers the place of the ‘everyday’ and ‘practice’ in media ethnography and audience ...
Historically, the majority of work on British children’s television has adopted either an institutio...
In the post-war English media, ‘modern’ parenting referred to psychologically-inspired styles of par...
In this thesis I show how the child television audience is imagined and acted upon within an adminis...
The UK Channel Four reality television programmes Supersize vs Superskinny and Supersize vs Superski...
Today, there is a widespread idea that parents need to learn how to carry out their roles as parents...
This article addresses the representation and mediation of the child-as-subject in British reality-t...
Author version made available in accordance with the publisher's policy.Inspired by a review of the ...
This thesis is an empirical study examining personhood. More specifically, it is concerned with the ...
Whilst not denying the continued power of hegemonic ideologies of mothering, it has been suggested t...
This essay serves as a response to the ‘nightmarish’ discourse that emerged after the broadcast of C...