Add to ORKGThe point is often made that the entry of Aboriginal art into public galleries has involved a fundamental shift in perception from the anonymous, scientific categories of ethnography to the status accorded the aesthetic art object. But in celebrating the recognition for contemporary Aboriginal art we need to be mindful that discourses of Aboriginality are constituted in and through colonial power relationships
This is the author accepted manuscript. The final version is available from Wiley via the DOI in thi...
This article is an overview of Aboriginal artists and non Aboriginal artists in Australia, both whit...
This article comments on Indigenous Australian art from an intercultural perspective. The painting B...
One of the great embarrassments confronting the art world in the postcolonial context is the recen...
Eurocentric conceptions of Indigenous history have long dominated the conversation around what const...
This thesis traces the term 'Aboriginal art' through a number of different genres of published liter...
This is a history of Aboriginal and settler art between 1830 and 1930. The focus is a close study o...
ABSTRACT In this article, presented as the Second Annual Thesis Eleven Centre Lecture in 2003, Berna...
The 2008 Congress of the International Committee of the History of Art in Melbourne suggested in its...
Since the emergence of the ‘acrylic art movement’ which came out of Papunya in the Western Desert of...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
The 2013 Australia exhibition in 2013 at the Royal Academy, London, served at one level to demonstra...
The contemporary context of Australia cannot be understood in isolation from its colonial past. As a...
These reflections on my current project, ‘A History of UnAustralian Art’, strike me as being of litt...
The paper argues that Australia is at present undergoing a major cultural shift in its discursive pa...
This is the author accepted manuscript. The final version is available from Wiley via the DOI in thi...
This article is an overview of Aboriginal artists and non Aboriginal artists in Australia, both whit...
This article comments on Indigenous Australian art from an intercultural perspective. The painting B...
One of the great embarrassments confronting the art world in the postcolonial context is the recen...
Eurocentric conceptions of Indigenous history have long dominated the conversation around what const...
This thesis traces the term 'Aboriginal art' through a number of different genres of published liter...
This is a history of Aboriginal and settler art between 1830 and 1930. The focus is a close study o...
ABSTRACT In this article, presented as the Second Annual Thesis Eleven Centre Lecture in 2003, Berna...
The 2008 Congress of the International Committee of the History of Art in Melbourne suggested in its...
Since the emergence of the ‘acrylic art movement’ which came out of Papunya in the Western Desert of...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
The 2013 Australia exhibition in 2013 at the Royal Academy, London, served at one level to demonstra...
The contemporary context of Australia cannot be understood in isolation from its colonial past. As a...
These reflections on my current project, ‘A History of UnAustralian Art’, strike me as being of litt...
The paper argues that Australia is at present undergoing a major cultural shift in its discursive pa...
This is the author accepted manuscript. The final version is available from Wiley via the DOI in thi...
This article is an overview of Aboriginal artists and non Aboriginal artists in Australia, both whit...
This article comments on Indigenous Australian art from an intercultural perspective. The painting B...