«I would like to propose what, to my mind, covers the term 'music' : 1. It is a sort of comportment necessary for whoever thinks it and makes it ; 2. It is an individual pleroma, a realization ; 3. It is a fixing in sound of imagined virtualities (cosmological, philosophical ..., arguments) ; 4 - It is normative, that is, unconsciously it is a model for being or for doing by a sympathetic drive ; 5. It is catalytic : its mere presence permits internal psychics or mental transformations in the same way as the crystal ball of the hypnotist ; 6. It is the gratuitous play of a child ; 7. It is a mystical (but atheistic) asceticism. Consequently expressions of sadness, joy, love, and dramatic situations are only very limited particular instances...
On distinguera les métaphores descriptives des métaphores «structurelles» qui organisent l'ensemble ...
Le professeur de philosophie reproche essentiellement à la musique contemporaine sa p...
What kind of entities does one relate to by speaking of «musical works»? The problem of the ontologi...
«I would like to propose what, to my mind, covers the term 'music' : 1. It is a sort of comportment ...
I would like to propose what, to my mind, covers the term “ music” : 1. It is a sort of necessary co...
Au regard de l’évolution de l’histoire de la musique, nous pouvons repérer que l’art se situe dans u...
La musique est essentiellement inexpressive : elle est incapable d’exprimer quoi que ce soit (même l...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
Starting with several examples, I propose a reflection about music as a sort of language that makes ...
Music, as a temporal and sounding art, cannot be understood merely as a static structure or artifact...
On distinguera les métaphores descriptives des métaphores «structurelles» qui organisent l'ensemble ...
On distinguera les métaphores descriptives des métaphores «structurelles» qui organisent l'ensemble ...
Le professeur de philosophie reproche essentiellement à la musique contemporaine sa p...
What kind of entities does one relate to by speaking of «musical works»? The problem of the ontologi...
«I would like to propose what, to my mind, covers the term 'music' : 1. It is a sort of comportment ...
I would like to propose what, to my mind, covers the term “ music” : 1. It is a sort of necessary co...
Au regard de l’évolution de l’histoire de la musique, nous pouvons repérer que l’art se situe dans u...
La musique est essentiellement inexpressive : elle est incapable d’exprimer quoi que ce soit (même l...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
N view of the evolution of the history of music, we can see that the art lies in a socio-cultural co...
Starting with several examples, I propose a reflection about music as a sort of language that makes ...
Music, as a temporal and sounding art, cannot be understood merely as a static structure or artifact...
On distinguera les métaphores descriptives des métaphores «structurelles» qui organisent l'ensemble ...
On distinguera les métaphores descriptives des métaphores «structurelles» qui organisent l'ensemble ...
Le professeur de philosophie reproche essentiellement à la musique contemporaine sa p...
What kind of entities does one relate to by speaking of «musical works»? The problem of the ontologi...