Philip Robinson : Vaudevilles, an 18th-century theatrical medium. Early French opéra-comique (or théâtre de la foire) is typified by vaudevilles , which are the theatrical application of the pont-neuf (the singing of satirical lyrics to already known tunes) ; this means not only refrain songs at the ends of acts or whole plays, but the very dialogue itself. Vaudevilles become a theatrical medium in a quite specific musical sense, for even when present in only limited numbers they impose, thanks to the cultural connotations and references of their airs, a light and comical tone which tends to dominate the entire play. The point is demonstrated by following, through a number of plays from the period 1740-70, the use of two airs for which the...
The history of theatre cannot be limited to an academic world built by powers and criticism. For cen...
Jacques Offenbach used a number of strategies to define the identity of the Théâtre des Bouffes Pari...
Musical Comedy at the Sources and Limits of American Theater. In spite of flamboyant and durable hi...
Philip Robinson : Vaudevilles, an 18th-century theatrical medium. Early French opéra-comique (or th...
International audienceAt the end of the 17th century the Comédie-Française had the monopoly of theat...
International audienceAt the end of the 17th century the Comédie-Française had the monopoly of theat...
Genre-caméléon, le vaudeville a changé de forme dramaturgique au fil des siècles, en se séparant pro...
Le vaudeville occupe une place à part dans l’histoire des genres littéraires, musicaux et dramatique...
Genre-caméléon, le vaudeville a changé de forme dramaturgique au fil des siècles, en se séparant pro...
From 1807 to 1864, Parisian music drama was governed by a system of licences that controlled the rep...
International audienceThéoriser le vaudeville, en fixer abstraitement la dramaturgie, voilà qui relè...
International audienceThéoriser le vaudeville, en fixer abstraitement la dramaturgie, voilà qui relè...
International audienceThéoriser le vaudeville, en fixer abstraitement la dramaturgie, voilà qui relè...
Compared to the revolutionary decade, the Napoleonic era is marked by a “stagnation” in dramaturgica...
Nous conservons quelques centaines de textes du theatre profane qui ont ete ecrits et joues en Franc...
The history of theatre cannot be limited to an academic world built by powers and criticism. For cen...
Jacques Offenbach used a number of strategies to define the identity of the Théâtre des Bouffes Pari...
Musical Comedy at the Sources and Limits of American Theater. In spite of flamboyant and durable hi...
Philip Robinson : Vaudevilles, an 18th-century theatrical medium. Early French opéra-comique (or th...
International audienceAt the end of the 17th century the Comédie-Française had the monopoly of theat...
International audienceAt the end of the 17th century the Comédie-Française had the monopoly of theat...
Genre-caméléon, le vaudeville a changé de forme dramaturgique au fil des siècles, en se séparant pro...
Le vaudeville occupe une place à part dans l’histoire des genres littéraires, musicaux et dramatique...
Genre-caméléon, le vaudeville a changé de forme dramaturgique au fil des siècles, en se séparant pro...
From 1807 to 1864, Parisian music drama was governed by a system of licences that controlled the rep...
International audienceThéoriser le vaudeville, en fixer abstraitement la dramaturgie, voilà qui relè...
International audienceThéoriser le vaudeville, en fixer abstraitement la dramaturgie, voilà qui relè...
International audienceThéoriser le vaudeville, en fixer abstraitement la dramaturgie, voilà qui relè...
Compared to the revolutionary decade, the Napoleonic era is marked by a “stagnation” in dramaturgica...
Nous conservons quelques centaines de textes du theatre profane qui ont ete ecrits et joues en Franc...
The history of theatre cannot be limited to an academic world built by powers and criticism. For cen...
Jacques Offenbach used a number of strategies to define the identity of the Théâtre des Bouffes Pari...
Musical Comedy at the Sources and Limits of American Theater. In spite of flamboyant and durable hi...