" Phedre " during the Revolution. After describing the changed conditions of theatrical life in France during the early years of the Revolution, and showing how revolutionary censorship corrected classical plays to make them conform with revolutionary ideology, the author studies the copy of Phèdre, corrected by hand, which the actors used for the productions of this play in 1793 and 1794 ; this unique copy is preserved in the library of the Comédie française. The author gives the original lines of Racine opposite the lines as altered by the revolutionary censor. He concludes that the corrections are fewer and less fundamental than one might have expected, and that without them it would not have been possible to present Racine's play durin...
The chapter provides both synthetic data on the repertory of the Paris Opéra in the period of the Fr...
Decorum seems to be one of the three essential rules of French classical theater, along with the thr...
TREVIEN Claire, Satire, Prints and Theatricality in the French Revolution, Oxford, Oxford University...
" Phedre " during the Revolution. After describing the changed conditions of theatrical life in Fra...
In terms of French theatre history, the Napoleonic Empire is frequently recognised as a key turning ...
Even on the so-called “national” stages, the French Revolution had given rise to a vein of dramatic ...
Martin Nadeau, The Cultural Policy of Year II : the Misfortunes of Revolutionary Propaganda on Stage...
Annette Graczyk : French revolutionary theatre between 1789 and 1794, a mass medium. The theatre o...
The censorship apparatus of the ancien régime has generally been seen as ineffectual, helpless even,...
édité par Witold Konstanty PietrzaInternational audienceSince the eighteenth-century, painting and h...
An overview which presents a study of two hundred militant plays of the Year II. The author chooses ...
Conférence invitée. Séminaire Linguistique du français moderne: Linguistique de corpus; Université d...
Rémy Landy : La Harpe, Beaumarchais and playwrights' demands, (1777-1799). After 1777, the authors ...
From Enlightenment to Counter-revolution : Contradictions in the Structure of La Harpe's " Mélanie "...
René Tarin : Education by the theatre during the Revolution. The men of 1789 believed firmly in the...
The chapter provides both synthetic data on the repertory of the Paris Opéra in the period of the Fr...
Decorum seems to be one of the three essential rules of French classical theater, along with the thr...
TREVIEN Claire, Satire, Prints and Theatricality in the French Revolution, Oxford, Oxford University...
" Phedre " during the Revolution. After describing the changed conditions of theatrical life in Fra...
In terms of French theatre history, the Napoleonic Empire is frequently recognised as a key turning ...
Even on the so-called “national” stages, the French Revolution had given rise to a vein of dramatic ...
Martin Nadeau, The Cultural Policy of Year II : the Misfortunes of Revolutionary Propaganda on Stage...
Annette Graczyk : French revolutionary theatre between 1789 and 1794, a mass medium. The theatre o...
The censorship apparatus of the ancien régime has generally been seen as ineffectual, helpless even,...
édité par Witold Konstanty PietrzaInternational audienceSince the eighteenth-century, painting and h...
An overview which presents a study of two hundred militant plays of the Year II. The author chooses ...
Conférence invitée. Séminaire Linguistique du français moderne: Linguistique de corpus; Université d...
Rémy Landy : La Harpe, Beaumarchais and playwrights' demands, (1777-1799). After 1777, the authors ...
From Enlightenment to Counter-revolution : Contradictions in the Structure of La Harpe's " Mélanie "...
René Tarin : Education by the theatre during the Revolution. The men of 1789 believed firmly in the...
The chapter provides both synthetic data on the repertory of the Paris Opéra in the period of the Fr...
Decorum seems to be one of the three essential rules of French classical theater, along with the thr...
TREVIEN Claire, Satire, Prints and Theatricality in the French Revolution, Oxford, Oxford University...