Add to ORKGJouanna Jacques. 54. Taplin (O.), The Stagecraft of Aeschylus. The Dramatic Use of Exits and Entrances in Greek Tragedy. In: Revue des Études Grecques, tome 103, fascicule 490-491, Janvier-juin 1990. p. 319
Ronnet Gilberte. 170. Else (Gerald F.). The Origin and Early Form of Greek Tragedy. In: Revue des Ét...
Van Looy Herman. John Herington, Poetry into drama. Early Tragedy and the Greek Poetic Tradition. In...
Dramatic actions are a very interesting field for the study of 'submerged literature', that is the c...
Jouanna Jacques. 54. Taplin (O.), The Stagecraft of Aeschylus. The Dramatic Use of Exits and Entranc...
Van Looy Herman. Oliver Taplin, The Stagecraft of Aeschylus. The Dramatic Use of Exits and Entrances...
This article is devoted to the analysis of the early stage work of one of the first ...
Le Beau Anne. 57. Buxton (R. G. Α.), Persuasion in greek tragedy : a study of Peitho. In: Revue des ...
In the initial section of the article the author justifies the view that it is bout useful and neces...
We all know that in the ancient tragedies there are no written stage directions. But it does not mea...
Van Looy Herman. Oliver Taplin, Greek Tragedy in Action. In: L'antiquité classique, Tome 48, fasc. 1...
If the actors' entrances and exits have often been analysed in the works devoted to the theatrical p...
Van Looy Herman. Maarit Kaimio, Physical Contact in Greek Tragedy. A Study of Stage Conventions. In:...
Carrière Jean. Gerald F. Else, The Origin and Early Form of Greek Tragedy (Martin Classical Lectures...
Van Looy Herman. Jennifer WISE, Dionysus Writes. The Invention of Theatre in Ancient Greece. . In: L...
Judet de la Combe Pierre. 36. Scully (J.)-Herington (C. J.), Aeschylus : Prometheus Bound (The Greek...
Ronnet Gilberte. 170. Else (Gerald F.). The Origin and Early Form of Greek Tragedy. In: Revue des Ét...
Van Looy Herman. John Herington, Poetry into drama. Early Tragedy and the Greek Poetic Tradition. In...
Dramatic actions are a very interesting field for the study of 'submerged literature', that is the c...
Jouanna Jacques. 54. Taplin (O.), The Stagecraft of Aeschylus. The Dramatic Use of Exits and Entranc...
Van Looy Herman. Oliver Taplin, The Stagecraft of Aeschylus. The Dramatic Use of Exits and Entrances...
This article is devoted to the analysis of the early stage work of one of the first ...
Le Beau Anne. 57. Buxton (R. G. Α.), Persuasion in greek tragedy : a study of Peitho. In: Revue des ...
In the initial section of the article the author justifies the view that it is bout useful and neces...
We all know that in the ancient tragedies there are no written stage directions. But it does not mea...
Van Looy Herman. Oliver Taplin, Greek Tragedy in Action. In: L'antiquité classique, Tome 48, fasc. 1...
If the actors' entrances and exits have often been analysed in the works devoted to the theatrical p...
Van Looy Herman. Maarit Kaimio, Physical Contact in Greek Tragedy. A Study of Stage Conventions. In:...
Carrière Jean. Gerald F. Else, The Origin and Early Form of Greek Tragedy (Martin Classical Lectures...
Van Looy Herman. Jennifer WISE, Dionysus Writes. The Invention of Theatre in Ancient Greece. . In: L...
Judet de la Combe Pierre. 36. Scully (J.)-Herington (C. J.), Aeschylus : Prometheus Bound (The Greek...
Ronnet Gilberte. 170. Else (Gerald F.). The Origin and Early Form of Greek Tragedy. In: Revue des Ét...
Van Looy Herman. John Herington, Poetry into drama. Early Tragedy and the Greek Poetic Tradition. In...
Dramatic actions are a very interesting field for the study of 'submerged literature', that is the c...