Because unconscious desire presides over the production of human discourse, literature, as parole, can be said to bear the traces of its production. History, however, cannot be excluded from the various determinations at work in the production of writing. I wish to show how it constitutes one of the architects of the text, the other being the individual artist who, because of the specific nature of his or her unconscious desire, happened to be the adequate mouth-piece of the socio-historical forces at work at the time of the writing. Whether we consider the structure (repetition of a cataclysm) or the details of the writing, The Grapes of Wrath can be analyzed as a worried interrogation about events to come in Europe in 1937-1938.Silhol Rob...
In western societies, writing imposes its order not only on knowledge, memory and social institution...
Interwar Europe was enamored of myth: adaptations of classical tales proliferated, anthropological r...
International audienceTraditionally considered as the poor or inefficient part of G. de Staël’s work...
Because unconscious desire presides over the production of human discourse, literature, as parole, c...
L’ambition de ce travail est de définir les conditions de possibilité d’une sociologie des œuvres li...
Analysing representations of war, we tend to consult “canonized” texts, forgetting that authors of p...
Dans cet article, j'essaie de donner sens à la polysémie du procédé de déplacement dont la Marraine ...
Interwar Europe was enamored of myth: adaptations of classical tales proliferated, anthropological r...
Le groupe surréaliste s'est livré, dès son éclosion, à un travail critique sans cesse développé au c...
Play occurs as a textual model throughout Baudelaire's poetic and critical writing. In its ambiguity...
International audienceMany contemporary French sociologists refer their readers to works of literatu...
International audienceHow can the French Revolution feed the creation process of contemporary arts, ...
The book argues that the stylistic features that prompted the criminal indictment of Madame Bovary a...
« The Biographer's subjectivity » The title was first : « Biographer in so far as autobiographer », ...
The author proposes to apply to historic narrative the works which analyse poïétique" (or creative b...
In western societies, writing imposes its order not only on knowledge, memory and social institution...
Interwar Europe was enamored of myth: adaptations of classical tales proliferated, anthropological r...
International audienceTraditionally considered as the poor or inefficient part of G. de Staël’s work...
Because unconscious desire presides over the production of human discourse, literature, as parole, c...
L’ambition de ce travail est de définir les conditions de possibilité d’une sociologie des œuvres li...
Analysing representations of war, we tend to consult “canonized” texts, forgetting that authors of p...
Dans cet article, j'essaie de donner sens à la polysémie du procédé de déplacement dont la Marraine ...
Interwar Europe was enamored of myth: adaptations of classical tales proliferated, anthropological r...
Le groupe surréaliste s'est livré, dès son éclosion, à un travail critique sans cesse développé au c...
Play occurs as a textual model throughout Baudelaire's poetic and critical writing. In its ambiguity...
International audienceMany contemporary French sociologists refer their readers to works of literatu...
International audienceHow can the French Revolution feed the creation process of contemporary arts, ...
The book argues that the stylistic features that prompted the criminal indictment of Madame Bovary a...
« The Biographer's subjectivity » The title was first : « Biographer in so far as autobiographer », ...
The author proposes to apply to historic narrative the works which analyse poïétique" (or creative b...
In western societies, writing imposes its order not only on knowledge, memory and social institution...
Interwar Europe was enamored of myth: adaptations of classical tales proliferated, anthropological r...
International audienceTraditionally considered as the poor or inefficient part of G. de Staël’s work...