In the fourth book of the Commentaries on music by the Epicurean Philodemus of Gadara, we can find at col. 41* a wide quotation of Plato's Laws (II 669 b-e), but in a condensed form. To know why this quotation occurs there, and who made it, that is the question. For the beginning of this 4 book seems to be devoted to give an rather abstract of the positions of the Stoic Diogenes of Babylonia about the importance to attach to music in the helle- nistic educational system about 150 b. C, and this col. 41* seems to take place in this first part of the book. If we examine attently the text handed down to us through the Herculaneum papyri and compare it with Plato's text, which the manuscript tradition gives us, we can conclude that this quotati...
In a former article the author studied « the profane quotations of Clemens of Alexandria's IIId Stro...
This dissertation turns to Plato's writings on music and the law in order to delimit the relationshi...
After having evoked the characteristics of the ancient Greek music and the ambiguities of the Greek ...
In the fourth book of the Commentaries on music by the Epicurean Philodemus of Gadara, we can find a...
The figures of king and tyrant in the Laws of Plato. The writer insists on the evolution of Plato. ...
The manuscript Marcianus graecus 196 (M), of the later 9 century, contains, among other materials, O...
Dicaearchus and his readers. The scholion on Plato Laws (I. 633a) analyses the Lakedaimonian syssiti...
The many quotations from the Tragics within Cicero's philosophical corpus can be analysed in connect...
On examine les citations de ou allusions à Platon (en particulier la digression du Théétète) à propo...
International audienceThis article aims to clarify the role that the practice of quotation plays in ...
Using an interdisciplinary approach to reading Plato's Apology of Socrates, I argue that the counter...
Les citations de Platon chez Théodoret, dans la Curatio (« Traitement des maladies païennes »), ne p...
Bertrand, Jean-Marie - The language of law and political discourse in the cities of the ancient Gree...
The aim of this thesis is to analyse Diogenes of Babylon's musico-ethical theories, to place them i...
This article presents a new examination of the Platonic passages that feature Damon of Oa, the famou...
In a former article the author studied « the profane quotations of Clemens of Alexandria's IIId Stro...
This dissertation turns to Plato's writings on music and the law in order to delimit the relationshi...
After having evoked the characteristics of the ancient Greek music and the ambiguities of the Greek ...
In the fourth book of the Commentaries on music by the Epicurean Philodemus of Gadara, we can find a...
The figures of king and tyrant in the Laws of Plato. The writer insists on the evolution of Plato. ...
The manuscript Marcianus graecus 196 (M), of the later 9 century, contains, among other materials, O...
Dicaearchus and his readers. The scholion on Plato Laws (I. 633a) analyses the Lakedaimonian syssiti...
The many quotations from the Tragics within Cicero's philosophical corpus can be analysed in connect...
On examine les citations de ou allusions à Platon (en particulier la digression du Théétète) à propo...
International audienceThis article aims to clarify the role that the practice of quotation plays in ...
Using an interdisciplinary approach to reading Plato's Apology of Socrates, I argue that the counter...
Les citations de Platon chez Théodoret, dans la Curatio (« Traitement des maladies païennes »), ne p...
Bertrand, Jean-Marie - The language of law and political discourse in the cities of the ancient Gree...
The aim of this thesis is to analyse Diogenes of Babylon's musico-ethical theories, to place them i...
This article presents a new examination of the Platonic passages that feature Damon of Oa, the famou...
In a former article the author studied « the profane quotations of Clemens of Alexandria's IIId Stro...
This dissertation turns to Plato's writings on music and the law in order to delimit the relationshi...
After having evoked the characteristics of the ancient Greek music and the ambiguities of the Greek ...