Topics
Johnnie ToPerson
Hong Kong Action FilmMusic genre
Favraud Georges, Van Den Troost Kristof. Stephen Teo, Director in Action : Johnnie To and the Hong Kong Action Film. In: Perspectives chinoises, n°106, 2009. pp. 121-123
Korea Session 195: Collaboration, Co-operation, and Co-production in South Korea's East Asian Cinema...
REVERTING TOSOCIAL ORDER BY CONTAINMENT: JOHNNIE TO KEI-FUNG'S WHERE A GOOD MAN GOES The 1999 Hong K...
The cinematic landscapes of both China and Hong Kong were significantly changed after CEPA, the Main...
Favraud Georges, Van Den Troost Kristof. Stephen Teo, Director in Action : Johnnie To and the Hong K...
One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the pa...
Provides a comprehensive overview of Johnnie To's career, concentrating on his action films, th...
Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genre...
Michael Ingham, an associate professor at Hong Kong’s Lingnan University, continues the work begun b...
Follow the decline of Hong Kong cinema in the 90s, Johnnie To has found a way to adapt to the invasi...
Van Den Troost Kristof. Chris Berry et Mary Farquhar, China on screen : Cinema and Nation. In: Persp...
Hong Kong cinema is known throughout the world for its action cinema, including martial arts films a...
Deprez Camille. Michael Ingham, Johnnie To Kei-Fung’s PTU. In: Perspectives chinoises, n°108, 2009. ...
Taking co-production as a dominant development of Hong Kong's film industry, this study examines the...
PTU is an underappreciated noir masterpiece by one of Hong Kong\u27s most prolific and commercially ...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
Korea Session 195: Collaboration, Co-operation, and Co-production in South Korea's East Asian Cinema...
REVERTING TOSOCIAL ORDER BY CONTAINMENT: JOHNNIE TO KEI-FUNG'S WHERE A GOOD MAN GOES The 1999 Hong K...
The cinematic landscapes of both China and Hong Kong were significantly changed after CEPA, the Main...
Favraud Georges, Van Den Troost Kristof. Stephen Teo, Director in Action : Johnnie To and the Hong K...
One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the pa...
Provides a comprehensive overview of Johnnie To's career, concentrating on his action films, th...
Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genre...
Michael Ingham, an associate professor at Hong Kong’s Lingnan University, continues the work begun b...
Follow the decline of Hong Kong cinema in the 90s, Johnnie To has found a way to adapt to the invasi...
Van Den Troost Kristof. Chris Berry et Mary Farquhar, China on screen : Cinema and Nation. In: Persp...
Hong Kong cinema is known throughout the world for its action cinema, including martial arts films a...
Deprez Camille. Michael Ingham, Johnnie To Kei-Fung’s PTU. In: Perspectives chinoises, n°108, 2009. ...
Taking co-production as a dominant development of Hong Kong's film industry, this study examines the...
PTU is an underappreciated noir masterpiece by one of Hong Kong\u27s most prolific and commercially ...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
Korea Session 195: Collaboration, Co-operation, and Co-production in South Korea's East Asian Cinema...
REVERTING TOSOCIAL ORDER BY CONTAINMENT: JOHNNIE TO KEI-FUNG'S WHERE A GOOD MAN GOES The 1999 Hong K...
The cinematic landscapes of both China and Hong Kong were significantly changed after CEPA, the Main...
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