This article argues that Australian Indigenous art was invented in the early to mid-1980s by its very challenge to Western conceptions of aesthetics and authorship. To illustrate that claim, the article explores Roland Barthes's concept of the photograph's punctum as it relates to a particular press photograph published in 1984
In a 1995/2004, work entitled Last Laughs, Destiny Deacon ‘amateurishly’ captures a trio of flash, y...
The change from symbolism to imitative art in the late medieval period, and the confirmation of this...
Australian Aboriginal symbols are visual forms of knowledge that express cultural intellect. Being c...
My Senior Independent Study is focused on how Australian Aboriginal art becomes reinterpreted in ter...
The Australian artworld first noticed the Papunya Tula painting movement in the early 1980s. To many...
Item does not contain fulltextThis article extends visual anthropological concerns into a new subjec...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
This paper is a post-print of an article published in Thesis Eleven 2005, 82(1), 62-72. The definiti...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
© 2001 Dr. Francis EburyPictorialism was the dominant international photographic style from the 1890...
ABSTRACT Presently, Australian art histories do not adequately account for the existence of Aborigin...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
If the cultural meaning of Indigenous art, as I argue, emerges from the interweaving of representati...
If the cultural meaning of Indigenous art, as I argue, emerges from the interweaving of representati...
The paper focuses on two kinds of relationship: between Western fine art and Indigenous art, and bet...
In a 1995/2004, work entitled Last Laughs, Destiny Deacon ‘amateurishly’ captures a trio of flash, y...
The change from symbolism to imitative art in the late medieval period, and the confirmation of this...
Australian Aboriginal symbols are visual forms of knowledge that express cultural intellect. Being c...
My Senior Independent Study is focused on how Australian Aboriginal art becomes reinterpreted in ter...
The Australian artworld first noticed the Papunya Tula painting movement in the early 1980s. To many...
Item does not contain fulltextThis article extends visual anthropological concerns into a new subjec...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
This paper is a post-print of an article published in Thesis Eleven 2005, 82(1), 62-72. The definiti...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
© 2001 Dr. Francis EburyPictorialism was the dominant international photographic style from the 1890...
ABSTRACT Presently, Australian art histories do not adequately account for the existence of Aborigin...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
If the cultural meaning of Indigenous art, as I argue, emerges from the interweaving of representati...
If the cultural meaning of Indigenous art, as I argue, emerges from the interweaving of representati...
The paper focuses on two kinds of relationship: between Western fine art and Indigenous art, and bet...
In a 1995/2004, work entitled Last Laughs, Destiny Deacon ‘amateurishly’ captures a trio of flash, y...
The change from symbolism to imitative art in the late medieval period, and the confirmation of this...
Australian Aboriginal symbols are visual forms of knowledge that express cultural intellect. Being c...