Should the artist's intention constitute an interpretative and judgmental criterion for his/her work? Wimsatt and Beardsley 's famous «intentional fallacy» (1954) amounts to an emphatically negative answer to this question. The very formulation of their thesis is here challenged and it is argued that it should be partly reformulated. It is then claimed that, once recast, the «intentional fallacy» is very close to the theory put forward, already in 1933, by Servais Etienne in Défense de la philologie. The question thus arises as to whether this common theoretical core can provide a satisfactory answer to the question at issue. The contention is that it can in almost all cases of aesthetic judgment, though with the exception of fakes and forg...
The initial task of this thesis consisted in considering the artist mainly as an author. As for the ...
Our thesisconcerns the question of beauty in the contemporaries plastic arts. But this one does not ...
When we evaluate artworks, we often point to what an artist could have done or what a work could hav...
Should the artist's intention constitute an interpretative and judgmental criterion for his/her work...
I argue that biographical information is akin to other non-aesthetic, social, historical, ...
Cette thèse propose l’examen des textes de théorie de l’art et de critique d’art portant sur la pein...
In 1946, Monroe C. Beardsley and W. K. Wimsatt published an article, “The Intentional Fallacy,” whic...
What determines the meaning of a work of art? This paper considers three theories of art-critical in...
Why is it that we cannot legitimately make certain aesthetic assertions – for instance that ‘Guernic...
1946 metais buvo publikuotas literatūros kritiko Williamo K. Wimsatto ir filosofo Monroe C. Beardsle...
The extent to which the artist’s intentions are a relevant consideration in the interpretation of ar...
1946 metais buvo publikuotas literatūros kritiko Williamo K. Wimsatto ir filosofo Monroe C. Beardsle...
Evaluer une image c est évaluer ce qu il est possible de voir en la regardant, Par ailleurs, selon d...
Le premier travail de cette thèse a consisté à envisager l'artiste, essentiellement, comme un auteur...
Paisley Livingston claims that an artist’s intentions are successfully realized and hence determinat...
The initial task of this thesis consisted in considering the artist mainly as an author. As for the ...
Our thesisconcerns the question of beauty in the contemporaries plastic arts. But this one does not ...
When we evaluate artworks, we often point to what an artist could have done or what a work could hav...
Should the artist's intention constitute an interpretative and judgmental criterion for his/her work...
I argue that biographical information is akin to other non-aesthetic, social, historical, ...
Cette thèse propose l’examen des textes de théorie de l’art et de critique d’art portant sur la pein...
In 1946, Monroe C. Beardsley and W. K. Wimsatt published an article, “The Intentional Fallacy,” whic...
What determines the meaning of a work of art? This paper considers three theories of art-critical in...
Why is it that we cannot legitimately make certain aesthetic assertions – for instance that ‘Guernic...
1946 metais buvo publikuotas literatūros kritiko Williamo K. Wimsatto ir filosofo Monroe C. Beardsle...
The extent to which the artist’s intentions are a relevant consideration in the interpretation of ar...
1946 metais buvo publikuotas literatūros kritiko Williamo K. Wimsatto ir filosofo Monroe C. Beardsle...
Evaluer une image c est évaluer ce qu il est possible de voir en la regardant, Par ailleurs, selon d...
Le premier travail de cette thèse a consisté à envisager l'artiste, essentiellement, comme un auteur...
Paisley Livingston claims that an artist’s intentions are successfully realized and hence determinat...
The initial task of this thesis consisted in considering the artist mainly as an author. As for the ...
Our thesisconcerns the question of beauty in the contemporaries plastic arts. But this one does not ...
When we evaluate artworks, we often point to what an artist could have done or what a work could hav...