Darrouzès Jean. Monumenta Musicae Byzantinae. — Miloš M. Velimirović, Byzantine elements in early slavic chant. — Jorgen Raasted, Intonations Formulas and modal signatures in bynzatine musical manuscripts. — Christian Thodberg, Der byzantinische Alleluiarionzyklus. Studien im kurzen Psaltikonstil. — Arne Bugge, Contacarium paleoslavicum Mosquense. — Olivier Strunk, Specimina notationum antiquiorum.. In: Revue des études byzantines, tome 25, 1967. pp. 332-336
Failler Albert. Rhythm in Byzantine Chant. Acta of the congress held at Hernen Castle in November 19...
The Byzantine chant is a tradition of ecclesiastical vocal music mainly sung in the Greek Orthodox c...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...
Darrouzès Jean. Monumenta Musicae Byzantinae. — Miloš M. Velimirović, Byzantine elements in early sl...
Jean E. Monumenta Musicae Byzantinae — Subsidia ; Tillyard (H.-J.-W.), Handbook of the Middle byzant...
In Slovakian archives there are 15 completely preserved medieval music manuscrips: five Bratislava a...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
The Middle Byzantine notation (MBn) is used to capture the plainchant melodies of eastern Orthodox C...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
Sacred Byzantine music originates from three sources: “the liturgy of heaven”, synagogue music as we...
Grumel Venance. Union Académique Internationale. Monumenta Musicae Byzantinae : Transcripta ediderun...
The manuscript Ms. 2372 of the Jagiellonian Library in Kraków contains a notated fragment of an earl...
Astruc Charles. R. Palikarova Verdeil, La Musique byzantine chez les Bulgares et les Russes (du IXe ...
This doctoral thesis aims to investigate some aspects of the liturgical and musical tradition of Sou...
The article presents melodic transformations of the antiphon ad Mandatum “Si ego Dominus et Magister...
Failler Albert. Rhythm in Byzantine Chant. Acta of the congress held at Hernen Castle in November 19...
The Byzantine chant is a tradition of ecclesiastical vocal music mainly sung in the Greek Orthodox c...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...
Darrouzès Jean. Monumenta Musicae Byzantinae. — Miloš M. Velimirović, Byzantine elements in early sl...
Jean E. Monumenta Musicae Byzantinae — Subsidia ; Tillyard (H.-J.-W.), Handbook of the Middle byzant...
In Slovakian archives there are 15 completely preserved medieval music manuscrips: five Bratislava a...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
The Middle Byzantine notation (MBn) is used to capture the plainchant melodies of eastern Orthodox C...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
Sacred Byzantine music originates from three sources: “the liturgy of heaven”, synagogue music as we...
Grumel Venance. Union Académique Internationale. Monumenta Musicae Byzantinae : Transcripta ediderun...
The manuscript Ms. 2372 of the Jagiellonian Library in Kraków contains a notated fragment of an earl...
Astruc Charles. R. Palikarova Verdeil, La Musique byzantine chez les Bulgares et les Russes (du IXe ...
This doctoral thesis aims to investigate some aspects of the liturgical and musical tradition of Sou...
The article presents melodic transformations of the antiphon ad Mandatum “Si ego Dominus et Magister...
Failler Albert. Rhythm in Byzantine Chant. Acta of the congress held at Hernen Castle in November 19...
The Byzantine chant is a tradition of ecclesiastical vocal music mainly sung in the Greek Orthodox c...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...