Add to ORKGLucken Michael. Gennifer Weisenfeld, MAVO : Japanese Artists and the Avant-garde 1905-1931. In: Arts asiatiques, tome 58, 2003. pp. 198-199
An account of the symbiotic relationship between Japanese and European decorative arts, with regard ...
After the long period of isolation Japan opened the country in the late 19th century and many produc...
Guillaume Germaine. Chronique. Soliman-Le-Magnifiqne, l'apogée de la peinture turque et Ivan Stchouk...
The Japanese art and culture, which had been isolated from the West for long periods, opened their d...
One of the great intellectual conceits of the Western world in the nineteenth century was the invent...
"Heinrich Wölfflin’s book Principles of Art History was published in Germany in 1915. It ap...
The belongings a person surrounds himself with can be physical representations of his interior life ...
Lacambre G. Gabriel P. Weisberg, Yvonne M. L. Weisberg, Japonisme . In: Arts asiatiques, tome 46, 19...
Although the foundation being so unlike each other, East and West have been influencing each other c...
Japanese influence on Europe was particularly strong in the period of japonism, which is widely pinn...
The Fusain Society is the first estblishment of Post Impressionism in Japan, organized by young arti...
Kozyreef Chantal. Ann Yonemura, Masterful Illusions. Japanese prints in the Anne van Biema Collectio...
Japan early in the Meiji Period (1868-1911) was eager to import Western culture in order to establis...
Asuka Minami. Un précurseur de l'histoire de l'art japonais en France : Georges de Tressan (1877-191...
Japanese Painting and National Identity is the first monograph in English to address the art and phi...
An account of the symbiotic relationship between Japanese and European decorative arts, with regard ...
After the long period of isolation Japan opened the country in the late 19th century and many produc...
Guillaume Germaine. Chronique. Soliman-Le-Magnifiqne, l'apogée de la peinture turque et Ivan Stchouk...
The Japanese art and culture, which had been isolated from the West for long periods, opened their d...
One of the great intellectual conceits of the Western world in the nineteenth century was the invent...
"Heinrich Wölfflin’s book Principles of Art History was published in Germany in 1915. It ap...
The belongings a person surrounds himself with can be physical representations of his interior life ...
Lacambre G. Gabriel P. Weisberg, Yvonne M. L. Weisberg, Japonisme . In: Arts asiatiques, tome 46, 19...
Although the foundation being so unlike each other, East and West have been influencing each other c...
Japanese influence on Europe was particularly strong in the period of japonism, which is widely pinn...
The Fusain Society is the first estblishment of Post Impressionism in Japan, organized by young arti...
Kozyreef Chantal. Ann Yonemura, Masterful Illusions. Japanese prints in the Anne van Biema Collectio...
Japan early in the Meiji Period (1868-1911) was eager to import Western culture in order to establis...
Asuka Minami. Un précurseur de l'histoire de l'art japonais en France : Georges de Tressan (1877-191...
Japanese Painting and National Identity is the first monograph in English to address the art and phi...
An account of the symbiotic relationship between Japanese and European decorative arts, with regard ...
After the long period of isolation Japan opened the country in the late 19th century and many produc...
Guillaume Germaine. Chronique. Soliman-Le-Magnifiqne, l'apogée de la peinture turque et Ivan Stchouk...