The Order of Images. Visual Culture and Propaganda in Nazi Germany, André Gunthert. Going back over one of the most often cited paintings in Nazi art, the Werksoldaten by Ferdinand Staeger, whose photographic source is provided here, the article describes the political and cultural sedimentation that these images yield. It thus points out the essential historicity of the figures of the propaganda that do not reduce the intentions of the political leaders to the simple translation into images, but remain the products of an individual initiative while at the same time the witnesses of a collective culture.L'ordre des images. Culture visuelle et propagande en Allemagne nazie, André Gunthert. En repartant d'un des tableaux les plus souvent cité...
In the article, I discuss Mieke Bal's concept of a preposterous interpretation of works of art, whi...
International audiencePour arriver au pouvoir, s'y maintenir et mener à bien le projet de rendre à l...
The article inquires into the marked absence of aesthetic innovation in postwar German photography d...
The Order of Images. Visual Culture and Propaganda in Nazi Germany, André Gunthert. Going back over ...
This article will discuss the influence of visual art in Nazi Germany from two parts of visual arts,...
My research project will explore the different types of propaganda art and their effects and influen...
This essay is a reflection about why the Nazi regime was against the photographic collections of one...
The article presents a theoretical and historiographical reflection on the links between image and t...
Dans la lignée de ses réflexions sur le pouvoir des images, Pierre Fresnault-Deruelle procède ici à ...
There are numerous publications in all areas of knowledge covering Nazi Germany. Since 1947 and the ...
International audienceWar and Cinema in the Nazi era: Movies, documentaries, newsreels, and cartoons...
Si des recherches récentes ont permis de documenter l’utilisation de la figure de Mozart dans la pro...
In the following pages, Nazi ideology, its origins and symbolism, and its relationship to the though...
This article aims to grasp some aspects of the notion of humanism in photography and its closeness t...
High culture played an important political role in Hitler’s Germany. References to music, history, p...
In the article, I discuss Mieke Bal's concept of a preposterous interpretation of works of art, whi...
International audiencePour arriver au pouvoir, s'y maintenir et mener à bien le projet de rendre à l...
The article inquires into the marked absence of aesthetic innovation in postwar German photography d...
The Order of Images. Visual Culture and Propaganda in Nazi Germany, André Gunthert. Going back over ...
This article will discuss the influence of visual art in Nazi Germany from two parts of visual arts,...
My research project will explore the different types of propaganda art and their effects and influen...
This essay is a reflection about why the Nazi regime was against the photographic collections of one...
The article presents a theoretical and historiographical reflection on the links between image and t...
Dans la lignée de ses réflexions sur le pouvoir des images, Pierre Fresnault-Deruelle procède ici à ...
There are numerous publications in all areas of knowledge covering Nazi Germany. Since 1947 and the ...
International audienceWar and Cinema in the Nazi era: Movies, documentaries, newsreels, and cartoons...
Si des recherches récentes ont permis de documenter l’utilisation de la figure de Mozart dans la pro...
In the following pages, Nazi ideology, its origins and symbolism, and its relationship to the though...
This article aims to grasp some aspects of the notion of humanism in photography and its closeness t...
High culture played an important political role in Hitler’s Germany. References to music, history, p...
In the article, I discuss Mieke Bal's concept of a preposterous interpretation of works of art, whi...
International audiencePour arriver au pouvoir, s'y maintenir et mener à bien le projet de rendre à l...
The article inquires into the marked absence of aesthetic innovation in postwar German photography d...