This paper explores the role of Edinburgh New Town as the chosen setting of the welcoming ceremonies organised for King George IV and Queen Victoria in 1822 and 1842, during their visits north of the border. A textual and visual analysis of relevant evidence such as written documents, printed illustrations, paintings, and celebrative material will be the basis for a spatial reconstruction of the two routes. The 1822 and 1842 routes through the New Town will also be discussed in comparison with their Early Modern counterparts, which developed along the High Street in the Old Town instead. My paper argues that the choice in the XIX century of the newly-built New Town as preferred location to stage the civic welcome, intentionally acknowledged...
Detail, building block east side of Charlotte Square; Bird's eye view (not drawn to scale) of Edinbu...
Detail at the base of Castle Hill, southeast corner of Charlotte Square foreground, Princes Street a...
14 George St., Royal Bank of Scotland (The Dome), 1847, detail to left of pediment; The New Town is ...
The visits to Edinburgh by King George IV in 1822, and by Queen Victoria and Prince Albert in 1842,...
The visits to Edinburgh by King George IV in 1822, and by Queen Victoria and Prince Albert in 1842,...
The visits to Edinburgh by King George IV in 1822, and by Queen Victoria and Prince Albert in 1842,...
From 1752 until the visit of George IV in 1822, Edinburgh expanded and improved through planned urba...
The burgh of Edinburgh repeatedly offered King James VI (and later I of England) the ideal civic sce...
Triumphal entries were political events which used the spaces of the early modern city to communicat...
This article discusses the role of the West Port as entry station of urban triumphal entries in Edin...
Detail, Arthur's Seat in background, bridge connecting New Town (left) to Old Town (right) at center...
This thesis is based on an historical study of the private pleasure gardens of Edinburgh New Town, ...
Detail, Calton Hill and Firth of Forth in background, Arthur's Seat to the right, bridge connecting ...
This is a study of Enlightenment in Edinburgh like no other. Using data and models provided by urba...
On 23 July 1637, riots broke out in Edinburgh. These disturbances triggered the collapse of royal au...
Detail, building block east side of Charlotte Square; Bird's eye view (not drawn to scale) of Edinbu...
Detail at the base of Castle Hill, southeast corner of Charlotte Square foreground, Princes Street a...
14 George St., Royal Bank of Scotland (The Dome), 1847, detail to left of pediment; The New Town is ...
The visits to Edinburgh by King George IV in 1822, and by Queen Victoria and Prince Albert in 1842,...
The visits to Edinburgh by King George IV in 1822, and by Queen Victoria and Prince Albert in 1842,...
The visits to Edinburgh by King George IV in 1822, and by Queen Victoria and Prince Albert in 1842,...
From 1752 until the visit of George IV in 1822, Edinburgh expanded and improved through planned urba...
The burgh of Edinburgh repeatedly offered King James VI (and later I of England) the ideal civic sce...
Triumphal entries were political events which used the spaces of the early modern city to communicat...
This article discusses the role of the West Port as entry station of urban triumphal entries in Edin...
Detail, Arthur's Seat in background, bridge connecting New Town (left) to Old Town (right) at center...
This thesis is based on an historical study of the private pleasure gardens of Edinburgh New Town, ...
Detail, Calton Hill and Firth of Forth in background, Arthur's Seat to the right, bridge connecting ...
This is a study of Enlightenment in Edinburgh like no other. Using data and models provided by urba...
On 23 July 1637, riots broke out in Edinburgh. These disturbances triggered the collapse of royal au...
Detail, building block east side of Charlotte Square; Bird's eye view (not drawn to scale) of Edinbu...
Detail at the base of Castle Hill, southeast corner of Charlotte Square foreground, Princes Street a...
14 George St., Royal Bank of Scotland (The Dome), 1847, detail to left of pediment; The New Town is ...