Add to ORKGCollection of essays based on the proceedings of the 26th annual Contemporary Drama in English conference, on “Nation, Nationalism and Theatre,” held at the University of Reading (UK) in June/July 2017
The nation, as Benedict Anderson famously argues, is an “imagined community.” My thesis examines And...
This chapter presents an overview of theatre in the United Kingdom through its four constituent coun...
Studies on the relation between language, identity and nation (building) represent a long tradition ...
26th annual Contemporary Drama in English conference, on “Nation, Nationalism and Theatre,” held at ...
This essay explores the discursive invocation of ‘civil war’ to describe the polarization of the pol...
There is, for me at least, a delightful irony in the fact that I should be writing the introduction ...
This article introduces a collection of essays which brings together the contributions of some of th...
Literature has long played a crucial role in constructing and disseminating what Benedict Anderson t...
At a time when nationalist sentiment is on the rise, this special issue takes stock of how sociology...
Shakespeare’s Contested Nations argues that performances of Shakespearean history at British institu...
The fourteen essays in this volume contribute significantly to a consideration of the interplay betw...
A sample of neo-millennial plays by male, black, British dramatists is briefly discussed: novelist a...
The following article reviews three of the plays that were broadcast on YouTube between March and J...
As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is...
The history of any national literature mixes up with the history of its nation. One of the reasons l...
The nation, as Benedict Anderson famously argues, is an “imagined community.” My thesis examines And...
This chapter presents an overview of theatre in the United Kingdom through its four constituent coun...
Studies on the relation between language, identity and nation (building) represent a long tradition ...
26th annual Contemporary Drama in English conference, on “Nation, Nationalism and Theatre,” held at ...
This essay explores the discursive invocation of ‘civil war’ to describe the polarization of the pol...
There is, for me at least, a delightful irony in the fact that I should be writing the introduction ...
This article introduces a collection of essays which brings together the contributions of some of th...
Literature has long played a crucial role in constructing and disseminating what Benedict Anderson t...
At a time when nationalist sentiment is on the rise, this special issue takes stock of how sociology...
Shakespeare’s Contested Nations argues that performances of Shakespearean history at British institu...
The fourteen essays in this volume contribute significantly to a consideration of the interplay betw...
A sample of neo-millennial plays by male, black, British dramatists is briefly discussed: novelist a...
The following article reviews three of the plays that were broadcast on YouTube between March and J...
As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is...
The history of any national literature mixes up with the history of its nation. One of the reasons l...
The nation, as Benedict Anderson famously argues, is an “imagined community.” My thesis examines And...
This chapter presents an overview of theatre in the United Kingdom through its four constituent coun...
Studies on the relation between language, identity and nation (building) represent a long tradition ...