《周易》的注、疏合刻始于南宋茶盐司八行本,自此以后,又有十行本。阮元的《重刊十三经注疏》即是以十行本为依据。十行本为元刻明修本,这一点已为学者所指出。然而,不同的十行本,其先后传承仍然是需要辨明的。阮元所依据的十行本,乃是十行本中错讹最多的一个本子。由此我们审视阮元的重刻,其主要失误在于选择底本的错误而非刊刻工作本身。同时,由《周易正义》的情况来看,十行本与闽、监、毛本的关系亦并非仅仅是前贤所认为的递相传承。闽本实际出自元刻九行本,且此元刻九行本反倒是十行本明代补版所从出。在《周易注疏》的众版本中,武英殿本及四库本较易被忽略,然而这个版本从分卷到校勘却是比较有特色的。The combination in inscribing WANG Bi's Annotations and KONG Ying-da's further explanations of the Zhouyi started from the eight-line version of the Southern Song Tea Salt Department. Then,there also appeared ten-line versions. It was based on ten-line versions that RUAN Yuan's Chong kan shisan jin zhu shu (Re-inscribed Annotations and Further Explanations of the Thirteen Confucian Classics) was completed. Scholars had pointed out that ten-line versions were ...