Patients with psychosis, from their pathology onward, do not dispose of a psychic space to reach symbolisation, which means, in music-therapeutic terms, that they are not able to create a musical form in which they could exist as a subject. Therefore, the musical and therapeutical transition from sensorial play (not playing) to musical form (improvising) is a basic condition for the treatment of the psychotic whatever. The specific musical and music therapeutic interventions in clinical improvisation are examined.status: accepte
AIM: Music therapy is an important complement to the non-pharmacological methods used in the treatme...
Creativity and flexibility are the hallmarks of effective improvisational technique. It is also beco...
Clinical improvisation is widely used in music therapeutic settings. This roundtable will reflect th...
This study examined psychotic patients’ music therapeutic process from sensorial play to musical for...
The focus of this chapter is the musical and therapeutic process of work with psychotic patients. Th...
Persons suffering from chronic schizophrenia characteristi cally show signs of social withdrawal and...
Publications have shown how patients present different ways of playing that relate to their psycholo...
Music therapy (MT) sessions in an acute psychiatric setting with patients who are psychotic can be a...
The aim of this non-experimental follow-up study was to specify and quantify rhythmic attunement pro...
Abstract: Improvisation in Education. From Madness to Art. For our contribution we want to focus on...
Psychosis, as described through a psychodynamic perspective, is conceptualized as an attempt to deny...
This chapter presents important research concerning music therapy with persons suffering from schizo...
This thesis addresses a new research perspective considering the musical instrument as a privileged ...
Attempts to make sense of improvisation in music therapy of ten rely on psychological, medical, psyc...
Although group work and the use of voice and of improvisation techniques are three common features i...
AIM: Music therapy is an important complement to the non-pharmacological methods used in the treatme...
Creativity and flexibility are the hallmarks of effective improvisational technique. It is also beco...
Clinical improvisation is widely used in music therapeutic settings. This roundtable will reflect th...
This study examined psychotic patients’ music therapeutic process from sensorial play to musical for...
The focus of this chapter is the musical and therapeutic process of work with psychotic patients. Th...
Persons suffering from chronic schizophrenia characteristi cally show signs of social withdrawal and...
Publications have shown how patients present different ways of playing that relate to their psycholo...
Music therapy (MT) sessions in an acute psychiatric setting with patients who are psychotic can be a...
The aim of this non-experimental follow-up study was to specify and quantify rhythmic attunement pro...
Abstract: Improvisation in Education. From Madness to Art. For our contribution we want to focus on...
Psychosis, as described through a psychodynamic perspective, is conceptualized as an attempt to deny...
This chapter presents important research concerning music therapy with persons suffering from schizo...
This thesis addresses a new research perspective considering the musical instrument as a privileged ...
Attempts to make sense of improvisation in music therapy of ten rely on psychological, medical, psyc...
Although group work and the use of voice and of improvisation techniques are three common features i...
AIM: Music therapy is an important complement to the non-pharmacological methods used in the treatme...
Creativity and flexibility are the hallmarks of effective improvisational technique. It is also beco...
Clinical improvisation is widely used in music therapeutic settings. This roundtable will reflect th...