Komični elementi v novejših komedijah Toneta Partljiča

V diplomski nalogi sem se ukvarjala z analizo komičnih elementov pri novejših Partljičevih komedijah, natančneje pri komedijah Krivica boli, Silvestrska sprava 2000, Čaj za dve, Denis in Ditka ter Slikar na vasi. Komične elemente sem po vzoru dela Henrija Bergsona Esej o smehu razdelila na značajsko, situacijsko in besedno komiko ter dodala še telesno komiko, ki jo je opredelil Vladimir kralj. Ugotovila sem, da Partljič komičnost v svojih komedijah gradi na podobnem vzorcu. Glavni povod za vse ostale komike je značajska komika, zato je v vsaki komediji prisotna vsaj ena ali več oseb, ki so zaznamovane s komičnim značajem. To so na primer ostareli slovenist, južnjaški vročekrven ljubimec, srečanje ostarelih moških, ki ju zaznamuje zgodovina, samozavesten in naiven mladenič, stik uglajene mestne dame in preproste kmetice, naivni vaščani ter oseba, ki se izdaja za nekoga drugega. Ravno to v nadaljevanju vpliva tako na situacijsko kot tudi na besedno komiko. Prva je največkrat uprizorjena s pojavljanjem oseb na nepravem kraju ob nepravem času, inverzijo, stopnjevanjem in ponavljanjem dogodkov ter petje. Primeri besedne komike, ki prav tako odraža človeški značaj, pa so uporaba narečnih izrazov, vulgarnih besed, kletvic, dobesedno razumevanje prenesenega pomena ter uporaba učenih izrazov s strani neizobraženih ljudi.In this thesis, I analyzed the comical elements in the latest comedies written by Tone Partljič, more specifically in Krivica boli, Silvesterska sprava 2000, Čaj za dve, Denis in Ditka and Slikar na vasi. Based on Henri Bergson\u27s Essay on the meaning of comic, I divided the comical elements into character comedy, situation comedy and word play, and added physical comedy defined by Vladimir Kralj. I have come to the conclusion that Partljič builds his comicalness in like manner. The base of all comedies is the character comedy. Therefore, each comedy presents at least one, or several, characters marked by their comical nature. Some examples of this are: a senior expert on Slovenian language, a southern hot-tempered lover, a meeting between two seniors marked by history, a confident and naïve young man, a contact between a town lady and a simple farm girl, naïve villagers and a person pretending to be somebody else. This is what then affects the situation comedy, as well as the word play. The former is usually portrayed by characters that appear at the wrong place at the wrong time, by using inversion, escalation, repeating events and singing. Examples of word play, that also reflect the human character, are the use of dialects, vulgar expressions, swear words, literal understanding of metaphors and the use of learned expressions by uneducated people