Shakespeare v treh romanih Javierja Maríasa: Tako belo srce, Jutri v bitki misli name in Tu začne se zlo

Intertekstualnost je literarni pojav, ki zaznamuje predvsem postmodernistična besedila, čeprav je bila zelo cenjena že v antiki. Tako v prozi kot v poeziji je postala bolj znana šele v drugi polovici dvajsetega stoletja, ko jo pisci tudi prvič začnejo obravnavati kot del literarne teorije in se jo trudijo opredeliti, oblikovati njeno definicijo. Ker je postmodernistični val zajel tudi špansko literaturo, ki se je po razpadu frankizma ponovno začela rojevati, bom v svojem delu obravnavala pojav intertekstualnosti pri španskem postmodernističnem avtorju Javierju Maríasu. Njegova dela zaznamuje več povezav, tako z literaturo kot s filmom in umetnostjo, vendar je kljub tem najbolj izpostavljena prav literarna navezava na Shakespearjeva dela, ki bo v ospredju tudi pri moji analizi treh romanov: Tu začne se zlo, Jutri v bitki misli name in Tako belo srce.Intertextuality is a literary device, characteristic especially for postmodern fiction, even though it was highly appreciated as early as the Classical Antiquity. It became more known in both poetry and prose in the second half of the 20th century, when theorists began to consider it for the first time as a part of literature studies and tried to define it. Since the postmodern wave also reached Spanish literature, which found itself in the process of rebirth after the fall of Francoism, I will discuss intertextuality in texts written by a Spanish postmodern author Javier Marías. Although his novels have clear connections with literature, film and art, it is the literary connection to Shakespeare%s works that stands out the most. This will be the main focus in my analysis of his three novels: Thus Bad Begins, Tomorrow in the Battle Think on Me and A Heart so White