This chapter offers insights into the ways of understanding—and different modes of existence—of the archive. Being both of time and of material, as an index of evolving attitudes towards objects and subjects, contingency of time, and discourse and culture, the archive takes on an active role in creating the identity and maintaining the continuity of works of art. In its physical form, it harbors a variety of documentation of the work’s past manifestations—reports, instructions, scores, contracts, correspondence, and manuals. Further, the archive takes on a non-physical dimension of tacit knowledge, memory, skill, and metadata related to its own functionality
The Materiality of the Archive is the first volume to bring together a range of methodological appro...
The archive is traditionally considered the counterpart of the library, the one storing records, the...
Work that takes place inside archives and work that is designated as art are often perceived as conc...
In common parlance, the archive is a large repository of paperwork no longer in bureau cratic circul...
ARCHIVE AND DOCUMENTATION What is an archive and what are its different modes of existence? Being ...
This chapter offers insights into the ways of understanding—and different modes of existence—of the ...
Archives are more prominent than ever, not only in art practice and theoretical discourse but also i...
Creative and compelling theoretical formulations of the archive have emerged from a host of discipli...
The word “archive” doesn’t belong to archivists or to historians any more, and this has been the cas...
Rewriting and exploring the history of art in the peripheral countries I describe the increasing ...
This thesis investigates the concept of archives and their role as a source for curatorial work pra...
This first seminar will focus on examining conceptualisations of ‘the archive’ across disciplines. T...
This entry examines the elasticity of the term “archive” and the tensions that surround its ever-exp...
This chapter discusses experimental post-preservation as a way of engagement with the archive on the...
Archive is a highly ambiguous word, meaning different things for different people, in society at lar...
The Materiality of the Archive is the first volume to bring together a range of methodological appro...
The archive is traditionally considered the counterpart of the library, the one storing records, the...
Work that takes place inside archives and work that is designated as art are often perceived as conc...
In common parlance, the archive is a large repository of paperwork no longer in bureau cratic circul...
ARCHIVE AND DOCUMENTATION What is an archive and what are its different modes of existence? Being ...
This chapter offers insights into the ways of understanding—and different modes of existence—of the ...
Archives are more prominent than ever, not only in art practice and theoretical discourse but also i...
Creative and compelling theoretical formulations of the archive have emerged from a host of discipli...
The word “archive” doesn’t belong to archivists or to historians any more, and this has been the cas...
Rewriting and exploring the history of art in the peripheral countries I describe the increasing ...
This thesis investigates the concept of archives and their role as a source for curatorial work pra...
This first seminar will focus on examining conceptualisations of ‘the archive’ across disciplines. T...
This entry examines the elasticity of the term “archive” and the tensions that surround its ever-exp...
This chapter discusses experimental post-preservation as a way of engagement with the archive on the...
Archive is a highly ambiguous word, meaning different things for different people, in society at lar...
The Materiality of the Archive is the first volume to bring together a range of methodological appro...
The archive is traditionally considered the counterpart of the library, the one storing records, the...
Work that takes place inside archives and work that is designated as art are often perceived as conc...