Add to ORKG"A conversation across disciplines and modes between an artist and a critic. What is the Cinematic? Is there a way film reflects an experience—of vision, of movement, of synchronized sound—that is not limited to film and projectors? Likewise, is there a way artists in other media invoke the cinematic experience by in effect going outside film technically or through combining the cinematic with other art forms? In an era not only of new media but of fusion among the arts and media, what does expanded cinema mean?" Forelesning holdt på Film Studies Center; University of Chicago, Chicago, USA. Tidspunkt: 24.05.2012. Sponsor: University of Chicago
Since the arrival of cinema, film theorists have studied how spectators perceive the representations...
"This reader surveys the rich history of relationships between the moving and the still image in pho...
Cinema as a Proposition for Dialogue. A Historical Sketch. As film has been progressing not only di...
"A conversation across disciplines and modes between an artist and a critic. What is the Cinematic? ...
As a fundamentally hybrid medium, cinema has always to some extent been defined by its interactions ...
In a world where change has become the only constant, how does the perpetually new relate to the old...
The article explores the various ways in which cinema “communicates” meaning, making use of the five...
Film is a technological medium, and as one which is also mimetic, it often includes other technologi...
ABSTRACT This study invites the reader to a dialogue between the structuralist tradition and the pos...
This introduction maps out the methodological and intellectual issues at stake in the study of “cine...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
Cinema, by definition, moves. But what is this movement written into cinematography? In what space—...
The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video...
The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video...
The concept of poetry remains today an ambiguous and divisive issue. The definitions set forward by ...
Since the arrival of cinema, film theorists have studied how spectators perceive the representations...
"This reader surveys the rich history of relationships between the moving and the still image in pho...
Cinema as a Proposition for Dialogue. A Historical Sketch. As film has been progressing not only di...
"A conversation across disciplines and modes between an artist and a critic. What is the Cinematic? ...
As a fundamentally hybrid medium, cinema has always to some extent been defined by its interactions ...
In a world where change has become the only constant, how does the perpetually new relate to the old...
The article explores the various ways in which cinema “communicates” meaning, making use of the five...
Film is a technological medium, and as one which is also mimetic, it often includes other technologi...
ABSTRACT This study invites the reader to a dialogue between the structuralist tradition and the pos...
This introduction maps out the methodological and intellectual issues at stake in the study of “cine...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
Cinema, by definition, moves. But what is this movement written into cinematography? In what space—...
The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video...
The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video...
The concept of poetry remains today an ambiguous and divisive issue. The definitions set forward by ...
Since the arrival of cinema, film theorists have studied how spectators perceive the representations...
"This reader surveys the rich history of relationships between the moving and the still image in pho...
Cinema as a Proposition for Dialogue. A Historical Sketch. As film has been progressing not only di...