History and Symbols: Lithuanian and Central European Cinema of the 1960s The text discusses the most creative period in Lithuanian cinema, the 1960s. This analysis is an attempt to frame the artistic and thematic changes in Lithuanian cinema within the context of the changes that occurred in Central Europe cinema during the 1960s. Showing that the cinematic influence of the neighbouring countries of Central Europe was sufficiently strong allows us to show the exceptional nature of Lithuanian cinema in the context of the policies towards the arts in the Soviet Union
In 1926-1944, three non-democratic (Lithuanian tautininkai, soviet and Nazi) regimes with different ...
he continued interest in the social and cultural life of the former Warsaw pact countries - looking ...
The paper examines certain peculiarities of the Soviet culture focusing on its relation to the value...
History and Symbols: Lithuanian and Central European Cinema of the 1960s The text discusses the most...
By combining the approaches of film history theory with research of the Soviet period, and on the ba...
Remiantis socialinės kino istorijos prieiga straipsnyje nagrinėjamos kino funkcionavimo galimybės LS...
Remiantis socialinės kino istorijos prieiga straipsnyje nagrinėjamos kino funkcionavimo galimybės LS...
Straipsnyje analizuojama miesto reprezentacija sovietmečio vaidybiniame lietuvių kine. Kaip ir bet k...
The objective of this work is to identify collective memory shapes in lithuanian fiction TV and cine...
The paper focuses on film culture in Lithuania by analysing the film programme advertisements in per...
Darbe analizuojami Lietuvoje sovietmečiu statyti kino teatro pastatai. Tyrimas apima virš trisdešimt...
This study examines resistance against totalitarian propaganda in select movies produced in regions ...
Kino dokumentika išgyveno nemažai atgimimų ir sąjūdžių, susijusių su pokyčiais valdžios struktūrose,...
Via comparative analysis of researches of the Soviet-era photography and cinematography, the article...
The film Marytė (1947) was part of an intensive campaign of Sovietization, an attempt to consolidate...
In 1926-1944, three non-democratic (Lithuanian tautininkai, soviet and Nazi) regimes with different ...
he continued interest in the social and cultural life of the former Warsaw pact countries - looking ...
The paper examines certain peculiarities of the Soviet culture focusing on its relation to the value...
History and Symbols: Lithuanian and Central European Cinema of the 1960s The text discusses the most...
By combining the approaches of film history theory with research of the Soviet period, and on the ba...
Remiantis socialinės kino istorijos prieiga straipsnyje nagrinėjamos kino funkcionavimo galimybės LS...
Remiantis socialinės kino istorijos prieiga straipsnyje nagrinėjamos kino funkcionavimo galimybės LS...
Straipsnyje analizuojama miesto reprezentacija sovietmečio vaidybiniame lietuvių kine. Kaip ir bet k...
The objective of this work is to identify collective memory shapes in lithuanian fiction TV and cine...
The paper focuses on film culture in Lithuania by analysing the film programme advertisements in per...
Darbe analizuojami Lietuvoje sovietmečiu statyti kino teatro pastatai. Tyrimas apima virš trisdešimt...
This study examines resistance against totalitarian propaganda in select movies produced in regions ...
Kino dokumentika išgyveno nemažai atgimimų ir sąjūdžių, susijusių su pokyčiais valdžios struktūrose,...
Via comparative analysis of researches of the Soviet-era photography and cinematography, the article...
The film Marytė (1947) was part of an intensive campaign of Sovietization, an attempt to consolidate...
In 1926-1944, three non-democratic (Lithuanian tautininkai, soviet and Nazi) regimes with different ...
he continued interest in the social and cultural life of the former Warsaw pact countries - looking ...
The paper examines certain peculiarities of the Soviet culture focusing on its relation to the value...