Films of Polish Film School, the most signifi cant formation in post-war history of Polish cinema, appeared in Czechoslovakia with several years of delay. Power feared that their message will be dangerous for spectators. Meanwhile – for viewers they remain unknown or diffi cult to understand and only a few critics and fi lm historians could read them in accordance with the intentions of the directors Andrzej Munk and Andrzej Wajda, being the main representatives of the stream.Films of Polish Film School, the most significant formation in post-war history of Polish cinema, appeared in Czechoslovakia with several years of delay. Power feared that their message will be dangerous for spectators. Meanwhile – for viewers, they rema...
In the period between the end of World War II and the late 1980s the Polish film industry produced ...
Anna Misiak painted a portrait of Polish censorship – with emphasis placed on the 1970s. While intro...
Historical films are important carriers of collective memory, and as a genre historical films can ac...
How in Czechoslovakia films by Munk and Wajda were conceived – or films in the context of tangled hi...
A History of Polish Film Units from a present-day perspectiveDirectors were central and outstanding ...
The article discusses the creation of Andrzej Wajda who is a prominent representative of the Polish ...
Breaking the taboo. The earliest cinematic echoes of the March 1968 experiencThe articles author tri...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
Poland’s film directors could finally forget about the pressures of complying with government censor...
The Polish People’s Republic expired in 1989. Since then, the newly democratised Polish state and it...
As for Polish cinema, it was a primary aim to describe ironies of Poland society and history. Like o...
CZECH FILM AFTER 1989: THE WAVE OF THE YOUNG NEWCOMERS THE history of Czech cinema has been frequen...
NOT CHANGING LOOKS. PRESENTATION OF CRUELTY AND EVIL IN THE FILMS OF ANDRZEJ WAJDAAmong Andrzej Waj...
This thesis provides an in-depth analysis of war films made in Poland between 1945 and 1970. The ...
In Poland, the changes started with the Round Table talks and June elections, and in the GDR with th...
In the period between the end of World War II and the late 1980s the Polish film industry produced ...
Anna Misiak painted a portrait of Polish censorship – with emphasis placed on the 1970s. While intro...
Historical films are important carriers of collective memory, and as a genre historical films can ac...
How in Czechoslovakia films by Munk and Wajda were conceived – or films in the context of tangled hi...
A History of Polish Film Units from a present-day perspectiveDirectors were central and outstanding ...
The article discusses the creation of Andrzej Wajda who is a prominent representative of the Polish ...
Breaking the taboo. The earliest cinematic echoes of the March 1968 experiencThe articles author tri...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
Poland’s film directors could finally forget about the pressures of complying with government censor...
The Polish People’s Republic expired in 1989. Since then, the newly democratised Polish state and it...
As for Polish cinema, it was a primary aim to describe ironies of Poland society and history. Like o...
CZECH FILM AFTER 1989: THE WAVE OF THE YOUNG NEWCOMERS THE history of Czech cinema has been frequen...
NOT CHANGING LOOKS. PRESENTATION OF CRUELTY AND EVIL IN THE FILMS OF ANDRZEJ WAJDAAmong Andrzej Waj...
This thesis provides an in-depth analysis of war films made in Poland between 1945 and 1970. The ...
In Poland, the changes started with the Round Table talks and June elections, and in the GDR with th...
In the period between the end of World War II and the late 1980s the Polish film industry produced ...
Anna Misiak painted a portrait of Polish censorship – with emphasis placed on the 1970s. While intro...
Historical films are important carriers of collective memory, and as a genre historical films can ac...