Methodology of New Film HistoryThe article’s author, based on various examples taken from the European documentary tradition, seeks to determine how the particular position of a new generation of found footage films is allocated and viewed in Polish cinemas and in relation to Polish contemporary audiovisual culture. Marek Hendrykowski redefines film editing (found footage film, compilation) as a historical narrative with its own, attractive poetics and successful way of negotiating its prestige and popularity in the public sphere.Methodology of New Film HistoryThe article’s author, based on various examples taken from the European documentary tradition, seeks to determine how the particular position of a new generation of found footage film...
In the opinion of the author of this article, Żeromski, showing a tragic picture of the January Upri...
The article presents the Trylogia Berlińska [The Berlin Trilogy] by Magdalena Parys, a Polish writer...
The Lambeth Walk, or the spectator liberated from the pressure of the pictureA quintessential work o...
Marek Hendrykowski’s study is concerned with the close-reading analysis and interpretation of the Au...
The Methodological Problems of Studies on the History of Polish Postwar Documentary The author discu...
Tarkowski in ŁódźExhaustively researched, Marek Hendrykowski’s study devoted to young Polish directo...
Maciej J. Drygas teaches film direction at Film School in Łódź. His lavishly illustrated recent work...
The author of the article presents in a historical outline (from the beginning of the 16th century ...
Marek Hendrykowski, Katedra Filmu, Telewizji i Nowych Mediów UAM, Tajemnica korespondencji. O „Cudzy...
The article is about three texts of Polish culture (a 1989 film by Tadeusz Konwicki, A Tale of Adam ...
A close reading analysis of a brilliant paper devoted to Federico Fellini’s Otto e mezzo written in ...
The so-called “the Cultural Revolution” or “fight for culture” was one of the most important slogans...
The article analyses two dramas by Jarosław Jakubowski: Dożynki and Nowy Legion (New legion), which ...
The article recalls two literary texts which signalled the facts denied or marginalized in Polish hi...
The aim of the article is to present the contemporary Polish cinema as the integrated economic, cul...
In the opinion of the author of this article, Żeromski, showing a tragic picture of the January Upri...
The article presents the Trylogia Berlińska [The Berlin Trilogy] by Magdalena Parys, a Polish writer...
The Lambeth Walk, or the spectator liberated from the pressure of the pictureA quintessential work o...
Marek Hendrykowski’s study is concerned with the close-reading analysis and interpretation of the Au...
The Methodological Problems of Studies on the History of Polish Postwar Documentary The author discu...
Tarkowski in ŁódźExhaustively researched, Marek Hendrykowski’s study devoted to young Polish directo...
Maciej J. Drygas teaches film direction at Film School in Łódź. His lavishly illustrated recent work...
The author of the article presents in a historical outline (from the beginning of the 16th century ...
Marek Hendrykowski, Katedra Filmu, Telewizji i Nowych Mediów UAM, Tajemnica korespondencji. O „Cudzy...
The article is about three texts of Polish culture (a 1989 film by Tadeusz Konwicki, A Tale of Adam ...
A close reading analysis of a brilliant paper devoted to Federico Fellini’s Otto e mezzo written in ...
The so-called “the Cultural Revolution” or “fight for culture” was one of the most important slogans...
The article analyses two dramas by Jarosław Jakubowski: Dożynki and Nowy Legion (New legion), which ...
The article recalls two literary texts which signalled the facts denied or marginalized in Polish hi...
The aim of the article is to present the contemporary Polish cinema as the integrated economic, cul...
In the opinion of the author of this article, Żeromski, showing a tragic picture of the January Upri...
The article presents the Trylogia Berlińska [The Berlin Trilogy] by Magdalena Parys, a Polish writer...
The Lambeth Walk, or the spectator liberated from the pressure of the pictureA quintessential work o...