This work explores the attention drawn to the lowly full stop in the work of 17th century scientist Robert Hooke (Micrographia, 1665) and 20th century writer and chemist Primo Levi (The periodic Table, Chapter 21, Carbon, 1975). The artefact consists of a grid of 80 prints produced using a unique combination of electron microscope capture (kindly undertaken by the Geology department of the University of Glasgow) and high resolution photopolymer letterpress printing (conducted at GSA). This work was shown in the group exhibition Box i Boks at Grafill (the Norwegian Association of Graphic Designers) Oslo, Norway. As part of the event I was invited to Oslo by the organisers to give a public lecture about my work and run a practical printing...
When photography appeared shortly before 1840, the metal-plate daguerreotype, invented in France, wa...
The output is a creative project, Leeds Print Festival x G.F. Smith Print Archive. The researcher co...
INK: Public Archive - Five Decades of Printmaking at the Glasgow Print Studio Selected by AHM ...
In 1712 Martin Lister bequeathed the collection of more than 1000 copperplates to the University of ...
Industrial improvements to silver plating through the work of electroplating firms such as Elkington...
Prints was an exhibition that was promoted as 'Masters from the Arts Council Collection, Hayward Gal...
Jean-Michel Papillon, Planche ornementale à motif floral avec pavots et ipomées, 1707, gravure sur b...
A commissioned centrepiece sculpture for The Wellcome Trust’s new museum in Euston. Wilson’s sculptu...
Working with fine art graduates at the University of Central Lancashire (UCLan) we are discovering m...
The series Faces and Places from English History is a set of thirty lithographic/digital fine prints...
This unique exhibition presents a selection of folios from Bradford's print collection featuring: li...
Temporarily Accessioned-The role of Printmaking within Freud Museum Installations. In 2016/17 I ...
Following Alfred Donné in Paris, the Austrian Joseph Berres was the second person in history to conv...
Printshop! is both an exhibition of collaborative work, by Edwin Pickstone and Giles Round, and a fu...
I was commissioned to create four prints and to curate an exhibition of digital art, as part of the ...
When photography appeared shortly before 1840, the metal-plate daguerreotype, invented in France, wa...
The output is a creative project, Leeds Print Festival x G.F. Smith Print Archive. The researcher co...
INK: Public Archive - Five Decades of Printmaking at the Glasgow Print Studio Selected by AHM ...
In 1712 Martin Lister bequeathed the collection of more than 1000 copperplates to the University of ...
Industrial improvements to silver plating through the work of electroplating firms such as Elkington...
Prints was an exhibition that was promoted as 'Masters from the Arts Council Collection, Hayward Gal...
Jean-Michel Papillon, Planche ornementale à motif floral avec pavots et ipomées, 1707, gravure sur b...
A commissioned centrepiece sculpture for The Wellcome Trust’s new museum in Euston. Wilson’s sculptu...
Working with fine art graduates at the University of Central Lancashire (UCLan) we are discovering m...
The series Faces and Places from English History is a set of thirty lithographic/digital fine prints...
This unique exhibition presents a selection of folios from Bradford's print collection featuring: li...
Temporarily Accessioned-The role of Printmaking within Freud Museum Installations. In 2016/17 I ...
Following Alfred Donné in Paris, the Austrian Joseph Berres was the second person in history to conv...
Printshop! is both an exhibition of collaborative work, by Edwin Pickstone and Giles Round, and a fu...
I was commissioned to create four prints and to curate an exhibition of digital art, as part of the ...
When photography appeared shortly before 1840, the metal-plate daguerreotype, invented in France, wa...
The output is a creative project, Leeds Print Festival x G.F. Smith Print Archive. The researcher co...
INK: Public Archive - Five Decades of Printmaking at the Glasgow Print Studio Selected by AHM ...