Star Wars: The Last Jedi was probably the most political movie of the franchise so far. In this piece, I analyze how this film has subverted much of the SW lore by, interestingly, making its political dimensions significantly more real (and hence more complex). Throughout the piece, I use this reflection as a heuristic device to comment on how the movie might teach us how to interpret, critique, and deal with politics in a more sound, effective, and hopeful manner. E. H. Carr is invoked to assist in this endeavor, as I reflect upon the themes of (neoliberal) war profiteering, the efficacy of heroism, and the traps of political idolatry and ideological fanaticism
Using multiple theories of film, trauma, and feminism, including works by Linton Davies, Michael Bro...
This paper explores the political unconscious of the original Star Wars (1977) when read through the...
BETWEEN TWO SIDES OF POWER: A CONTRIBUTION TO CONSTITUTIONAL ANALYSIS OF SCIENCE-FICTION UNIVERSAIn ...
This is a film review of Star Wars: The Last Jedi (2017) directed by Rian Johnson
The thesis is all about studying the film Revenge of the Sith in an American exceptionalist point of...
This paper will examine the success of the Star Wars franchise by comparing two of its films: Episod...
Political discourse on social media is seen by many as polarized, vitriolic and permeated by falseho...
The paper analyzes the saga of Star Wars as a text that has borrowed extensively from biblical apoca...
This thesis is separated into three sections. Section I: “Resisting Bloodlines, Destinies, and Tradi...
In this chapter, I look at the way Star Wars can help us to understand Michel Foucault’s concepts of...
In this article we argue that the story of Star Wars has much to tell us about perennial questions o...
Recently George Lucas’ approved animation series, Clone Wars, has rekindled the imaginations of the ...
The article offers an introduction to the gender and race politics of the Star Wars films in the con...
Star Wars has become one of a handful of science-fiction franchises that have defined and shaped wha...
This article examines the nature of good and evil through the prism of Star Wars, arguing that the o...
Using multiple theories of film, trauma, and feminism, including works by Linton Davies, Michael Bro...
This paper explores the political unconscious of the original Star Wars (1977) when read through the...
BETWEEN TWO SIDES OF POWER: A CONTRIBUTION TO CONSTITUTIONAL ANALYSIS OF SCIENCE-FICTION UNIVERSAIn ...
This is a film review of Star Wars: The Last Jedi (2017) directed by Rian Johnson
The thesis is all about studying the film Revenge of the Sith in an American exceptionalist point of...
This paper will examine the success of the Star Wars franchise by comparing two of its films: Episod...
Political discourse on social media is seen by many as polarized, vitriolic and permeated by falseho...
The paper analyzes the saga of Star Wars as a text that has borrowed extensively from biblical apoca...
This thesis is separated into three sections. Section I: “Resisting Bloodlines, Destinies, and Tradi...
In this chapter, I look at the way Star Wars can help us to understand Michel Foucault’s concepts of...
In this article we argue that the story of Star Wars has much to tell us about perennial questions o...
Recently George Lucas’ approved animation series, Clone Wars, has rekindled the imaginations of the ...
The article offers an introduction to the gender and race politics of the Star Wars films in the con...
Star Wars has become one of a handful of science-fiction franchises that have defined and shaped wha...
This article examines the nature of good and evil through the prism of Star Wars, arguing that the o...
Using multiple theories of film, trauma, and feminism, including works by Linton Davies, Michael Bro...
This paper explores the political unconscious of the original Star Wars (1977) when read through the...
BETWEEN TWO SIDES OF POWER: A CONTRIBUTION TO CONSTITUTIONAL ANALYSIS OF SCIENCE-FICTION UNIVERSAIn ...