The paper takes into account several tragedies based on the Roman subject \u2013 drawn by Titus Livius \u2013 of Appio and Virginia, composed in English, French and Italian between the seventeenth and eighteenth centuries, in order to show how the subject's progressive refinement allows the dramatists to cope with essential matters of the Early modern political philosophy, from the relationship between the sovereign and the law to the gap between public and private happiness. The analysis aims to prove that, at the beginning of the eighteenth century, the subject of Virginia becomes an unavoidable passage for dramatist interested in representing political tragedies
This article aims at giving an account of the reception, diffusion and literary elaboration of the ‘...
This study is an attempt to reconstruct the eighteenth-century Italian intellectual perspective on v...
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigati...
The title, a translation of «in the decrees of Venice», comes from Il Mercante di Venezia and indica...
Between late 17th and early 18th century, a considerable production of tragedies flourishes in Italy...
The aim of this paper is to show how the 18th century Italian tragedy, according to the statements ...
Per quanto l’immersione nella politica sia una cifra molto significativa del teatro di William Shake...
International audienceLament in seventeenth-century Italian opera has often been studied either as t...
The article focuses on the idea of theatre as a polical mobilization device, tracing its origins in ...
Between the Eighteenth and Nineteenth century, the figure of Catilina risults as the leading hero of...
The article addresses the question of the relationships between history and fictional writings in se...
Questo contributo si \ue8 soffermato sulle strette relazioni esistenti fra teatro e classe dirigente...
In eighteenth-century Italy negative responses to Shakespeare’s plays are not to be found exclusivel...
In the conflict of interpretations that affected Sofonisba, the first regular tragedy in Italian by ...
This essay traces the educational, ecclesiastical and aristocratic settings of Milan in which eighte...
This article aims at giving an account of the reception, diffusion and literary elaboration of the ‘...
This study is an attempt to reconstruct the eighteenth-century Italian intellectual perspective on v...
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigati...
The title, a translation of «in the decrees of Venice», comes from Il Mercante di Venezia and indica...
Between late 17th and early 18th century, a considerable production of tragedies flourishes in Italy...
The aim of this paper is to show how the 18th century Italian tragedy, according to the statements ...
Per quanto l’immersione nella politica sia una cifra molto significativa del teatro di William Shake...
International audienceLament in seventeenth-century Italian opera has often been studied either as t...
The article focuses on the idea of theatre as a polical mobilization device, tracing its origins in ...
Between the Eighteenth and Nineteenth century, the figure of Catilina risults as the leading hero of...
The article addresses the question of the relationships between history and fictional writings in se...
Questo contributo si \ue8 soffermato sulle strette relazioni esistenti fra teatro e classe dirigente...
In eighteenth-century Italy negative responses to Shakespeare’s plays are not to be found exclusivel...
In the conflict of interpretations that affected Sofonisba, the first regular tragedy in Italian by ...
This essay traces the educational, ecclesiastical and aristocratic settings of Milan in which eighte...
This article aims at giving an account of the reception, diffusion and literary elaboration of the ‘...
This study is an attempt to reconstruct the eighteenth-century Italian intellectual perspective on v...
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigati...