Add to ORKGEvans, S. J., and Ilsar, A., (2017). Scattering Sound for saxophone and drums/airsticks is a 25 minute electro-acoustic work, premiered at the Seymour Centre for the Sydney Improvised Music Association on 4th February, 2017. It pioneers new methodologies for improvised music using acoustic and sampled sounds in intuitive and innovative combinations. Recording and broadcast by Peter Nelson for Australian Jazz Scene, Fine Music 102.
The commercial sound recording ‘Tributary’ by the Damien Kingston Trio sits within the improvised mu...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fing...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fin...
Scatter 2019 is a solar-powered installation, sonic composition, and artistic research project by Jo...
I discuss two recent sound installations that both explore a spectral sound diffusion technique base...
The duo “Magnify the Sound” will present a musical performance exploring the interplay and live proc...
Forms of Space consists of two movements: ‘Smoke and Mirrors’ (16 audio channels, duration 20'30"),...
An electroacoustic composition (duration 20'30") realised in 16 discrete audio channels (48kHz/24 bi...
Originally commissioned by Musicon and first performed in Durham in 2009, Tim(br)e 2 was revised in ...
Noise Peddler is a part-composed, part-improvised performance for two people, two pedalboards, and f...
As a composer and musician of electronic music since the 1980s my medium is sound. When I was asked ...
This final collective meditation involves six musicians and artists, each performing from their resp...
SnowTalking is a 4-channel acousmatic piece, existing solely as digital recording. It was conceived ...
The field of research includes composition, music performance, and recording in the context of conte...
Defence is held on 24.5.2022 12:00 – 16:00 Zoom, https://aalto.zoom.us/j/62282474989Modeling of s...
The commercial sound recording ‘Tributary’ by the Damien Kingston Trio sits within the improvised mu...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fing...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fin...
Scatter 2019 is a solar-powered installation, sonic composition, and artistic research project by Jo...
I discuss two recent sound installations that both explore a spectral sound diffusion technique base...
The duo “Magnify the Sound” will present a musical performance exploring the interplay and live proc...
Forms of Space consists of two movements: ‘Smoke and Mirrors’ (16 audio channels, duration 20'30"),...
An electroacoustic composition (duration 20'30") realised in 16 discrete audio channels (48kHz/24 bi...
Originally commissioned by Musicon and first performed in Durham in 2009, Tim(br)e 2 was revised in ...
Noise Peddler is a part-composed, part-improvised performance for two people, two pedalboards, and f...
As a composer and musician of electronic music since the 1980s my medium is sound. When I was asked ...
This final collective meditation involves six musicians and artists, each performing from their resp...
SnowTalking is a 4-channel acousmatic piece, existing solely as digital recording. It was conceived ...
The field of research includes composition, music performance, and recording in the context of conte...
Defence is held on 24.5.2022 12:00 – 16:00 Zoom, https://aalto.zoom.us/j/62282474989Modeling of s...
The commercial sound recording ‘Tributary’ by the Damien Kingston Trio sits within the improvised mu...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fing...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fin...