An analysis of the painting now attributed to Domenico Peruzzini depicting The Trinity Appears to Saint Stephen, which had already been executed for the church of Santo Stefano in Potenza Picena by the time it had been renovated and dedicated to Saint Ignatius of Loyola, has led to a reconstruction of the painter’s relationship with the Pesarese artist Simone Cantarini. Since, on chronological grounds, Peruzzini could not have been one of his students, here his references to Cantarini’s late works, adopted as models, are identified. The essay highlights Peruzzini’s knowledge of paintings in the Marches and Romagna, evidence of the cultural relationships between the two regions
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Portrait of Fra Teodoro of Urbino as Saint Dominic by Giovanni Bellini (1430-1516). Dating to 1515,...
An analysis of the painting now attributed to Domenico Peruzzini depicting The Trinity Appears to S...
It may happen that artists of very different styles find themselves in the same place at the same t...
The article presents, for the first time together, three portraits of Cardinal Antonio Barberini jun...
Télécharger le programme The multi-talented Sienese artist Baldassarre Peruzzi (1481–1536) worked pr...
none1noThe artistic profile of Tommaso Garelli, documented in Bologna between 1450 and 1495, has bee...
By endowing his figures with realistic mass and expressive gestures and features, Giotto helped to e...
By endowing his figures with realistic mass and expressive gestures and features, Giotto helped to e...
By endowing his figures with realistic mass and expressive gestures and features, Giotto helped to e...
The graphic oeuvre of Giulio Mazzoni is currently composed of only one unanimously accepted work, a ...
Mantegna was a supremely confident draughtsman and there is no evidence in his underdrawings of the ...
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood t...
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Portrait of Fra Teodoro of Urbino as Saint Dominic by Giovanni Bellini (1430-1516). Dating to 1515,...
An analysis of the painting now attributed to Domenico Peruzzini depicting The Trinity Appears to S...
It may happen that artists of very different styles find themselves in the same place at the same t...
The article presents, for the first time together, three portraits of Cardinal Antonio Barberini jun...
Télécharger le programme The multi-talented Sienese artist Baldassarre Peruzzi (1481–1536) worked pr...
none1noThe artistic profile of Tommaso Garelli, documented in Bologna between 1450 and 1495, has bee...
By endowing his figures with realistic mass and expressive gestures and features, Giotto helped to e...
By endowing his figures with realistic mass and expressive gestures and features, Giotto helped to e...
By endowing his figures with realistic mass and expressive gestures and features, Giotto helped to e...
The graphic oeuvre of Giulio Mazzoni is currently composed of only one unanimously accepted work, a ...
Mantegna was a supremely confident draughtsman and there is no evidence in his underdrawings of the ...
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood t...
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Portrait of Fra Teodoro of Urbino as Saint Dominic by Giovanni Bellini (1430-1516). Dating to 1515,...