My aim in this study is to determine what factors brought about the visual changes in the floral image, as seen on designs for textiles and wallpaper in Britain, during the period 1830 - 1910. I also intend to investigate the relationship between abstraction and the floral image during the period. F or the purposes of my discussion I use "abstraction" in a specialised sense, that is, the grouping of shapes and colours in visually coherent patterns. Further I divide this into two types which I describe as objective and subjective abstraction. The Schools of Design, later renamed, Schools of Art, and the Arts and Crafts Movement provide a focus for the study. Changes in the socio-economic environment, changes in technology, or changes in all...
A study in four parts of the development of Art and Design Education in the nineteenth century. Alth...
This volume is a unique collection of essays by experts from museums and universities which for the ...
The developments of how the manufacture, embossing and blocking of cloth covers was achieved between...
THIS BOOK: Textiles form the largest group of designed objects available for study, whether as objec...
This research comprises a study focused on Artistic Dress circa 1848-1900, presenting a roughly chro...
Largely overlooked and unexplored as both historical and design education sources, there were a wide...
This project originated from a cornucopia of personal experiences that informed a perspective shaped...
Discourses of creativity play a crucial role in shaping cultural perceptions of what constitutes cre...
During a key transitional period within the Industrial Revolution between the conclusion of the Napo...
The purpose of this project is to examine how formal education influences the everyday work of a flo...
University of Minnesota Ph.D. dissertation. December 2016. Major: Design. Advisor: Barbara Martinson...
Innovation in the past, present and future will be considered by reference to an extraordinary but l...
What explains the aesthetic diversity of the Arts and Crafts movement? Typically, artistic movements...
Design process studies and therefore design-thinking literature, tends to come from disciplines outs...
‘Aglaia will propose no violent revolution in matters of attire, such as the Rational Dress Associat...
A study in four parts of the development of Art and Design Education in the nineteenth century. Alth...
This volume is a unique collection of essays by experts from museums and universities which for the ...
The developments of how the manufacture, embossing and blocking of cloth covers was achieved between...
THIS BOOK: Textiles form the largest group of designed objects available for study, whether as objec...
This research comprises a study focused on Artistic Dress circa 1848-1900, presenting a roughly chro...
Largely overlooked and unexplored as both historical and design education sources, there were a wide...
This project originated from a cornucopia of personal experiences that informed a perspective shaped...
Discourses of creativity play a crucial role in shaping cultural perceptions of what constitutes cre...
During a key transitional period within the Industrial Revolution between the conclusion of the Napo...
The purpose of this project is to examine how formal education influences the everyday work of a flo...
University of Minnesota Ph.D. dissertation. December 2016. Major: Design. Advisor: Barbara Martinson...
Innovation in the past, present and future will be considered by reference to an extraordinary but l...
What explains the aesthetic diversity of the Arts and Crafts movement? Typically, artistic movements...
Design process studies and therefore design-thinking literature, tends to come from disciplines outs...
‘Aglaia will propose no violent revolution in matters of attire, such as the Rational Dress Associat...
A study in four parts of the development of Art and Design Education in the nineteenth century. Alth...
This volume is a unique collection of essays by experts from museums and universities which for the ...
The developments of how the manufacture, embossing and blocking of cloth covers was achieved between...