Add to ORKGThe article focuses on the Italian Opera in Paris and Vienna (1789-1814), tracing its historical profile through a survey of the most significant figures of composers and librettists and studying the productive context of the theaters. The study offer brief analytical descriptions of some works that have played a role as milestones during French Revolution and Napoleonic Empire
The focus of this review article is recent work in opera studies whose librettists and composers wer...
Inspired by the writings of Gotthold Ephraim Lessing and Denis Diderot, between 1796 and 1799 Italy ...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
The article focuses on the Italian Opera in Paris and Vienna (1789-1814), tracing its historical pro...
This article explores the relationship between politics, society and culture in Napoleonic Milan (17...
The article examines the occasional genres flourished during the French domination in Naples (1806-1...
The thesis examines the impact of the early dissemination of Russian operas in the cultural life and...
Freedom fighters and national heroes frequently appeared on the operatic stage of the 19th century. ...
The article is the result of some researches about the ideas on the operatic reform appeared in Ital...
Each year the Italian government chooses a topic as the focus of the ‘week of Italian in the world’,...
Music for the stage has always been embedded in a network of power relationships between states, imp...
This paper was primarily based on correspondence of Marco Foscari IV, member of respectable patricia...
This article investigates the presence of Lorenzo Da Ponte on the English stage between the end of t...
The essay explores the reception of Rossini’s Italian operas in the writings of Étienne-Jean Deléclu...
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, e...
The focus of this review article is recent work in opera studies whose librettists and composers wer...
Inspired by the writings of Gotthold Ephraim Lessing and Denis Diderot, between 1796 and 1799 Italy ...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
The article focuses on the Italian Opera in Paris and Vienna (1789-1814), tracing its historical pro...
This article explores the relationship between politics, society and culture in Napoleonic Milan (17...
The article examines the occasional genres flourished during the French domination in Naples (1806-1...
The thesis examines the impact of the early dissemination of Russian operas in the cultural life and...
Freedom fighters and national heroes frequently appeared on the operatic stage of the 19th century. ...
The article is the result of some researches about the ideas on the operatic reform appeared in Ital...
Each year the Italian government chooses a topic as the focus of the ‘week of Italian in the world’,...
Music for the stage has always been embedded in a network of power relationships between states, imp...
This paper was primarily based on correspondence of Marco Foscari IV, member of respectable patricia...
This article investigates the presence of Lorenzo Da Ponte on the English stage between the end of t...
The essay explores the reception of Rossini’s Italian operas in the writings of Étienne-Jean Deléclu...
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, e...
The focus of this review article is recent work in opera studies whose librettists and composers wer...
Inspired by the writings of Gotthold Ephraim Lessing and Denis Diderot, between 1796 and 1799 Italy ...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...