Granet-Abisset (Anne-Marie). — The historian and photography. For a long rime photography in history has only played the role of illustration. Despite the difficulties inherent to the very nature of this kind of iconography and the incomplete results it provides, we are in favor of having it recognized as original material, being well aware that an suitable method of reading and analysis is necessary. The use of non-written sources, particularly oral sources, explains our will to also take into account this other source, imperative to seize the facts and representations. In accepting the highly subjective character of photography one can question it as any iconographie document. Memory and proof, it finds its legitimacy in combinaison wi...
"Mais il ne s'agit pas non plus de réduire la photographie à un simple rectangle ou carré-image qui ...
Cette journée d’étude a pour objectif de faire se rencontrer des jeunes chercheurs (doctorants et je...
International audienceWhat Iconography for Contemporary Cultural History ? When observing the heuris...
Granet-Abisset (Anne-Marie). — The historian and photography. For a long rime photography in histor...
The King, the Hunt and the Umbrella: how history makes images speak. Now that there are many texts e...
The King, the Hunt and the Umbrella: how history makes images speak. Now that there are many texts e...
International audienceMany of these photographic documents mainly serve to illustrate studies on the...
Dès la fin du xixe siècle, on trouve de nombreux textes qui abordent la cinématographie comme un obj...
By focusing on the indices characterising photography (i.e. its very nature of luminous imprint), c...
Photos: F. Chevaldonné, P. Moity<br />(avec l'autorisation de P. Moity pour dépôt sur halshs)To what...
L’épanouissement de l’histoire de la photographie et la multiplication des questions qu’elle formule...
By focusing on the indices characterising photography (i.e. its very nature of luminous imprint), c...
Beaugé (Gilbert). — From the appearances of features to the features of appearances. Photography and...
Beaugé (Gilbert). — From the appearances of features to the features of appearances. Photography and...
Les objectifs de ce séminaire sont de permettre aux participants d'acquérir des connaissances plus a...
"Mais il ne s'agit pas non plus de réduire la photographie à un simple rectangle ou carré-image qui ...
Cette journée d’étude a pour objectif de faire se rencontrer des jeunes chercheurs (doctorants et je...
International audienceWhat Iconography for Contemporary Cultural History ? When observing the heuris...
Granet-Abisset (Anne-Marie). — The historian and photography. For a long rime photography in histor...
The King, the Hunt and the Umbrella: how history makes images speak. Now that there are many texts e...
The King, the Hunt and the Umbrella: how history makes images speak. Now that there are many texts e...
International audienceMany of these photographic documents mainly serve to illustrate studies on the...
Dès la fin du xixe siècle, on trouve de nombreux textes qui abordent la cinématographie comme un obj...
By focusing on the indices characterising photography (i.e. its very nature of luminous imprint), c...
Photos: F. Chevaldonné, P. Moity<br />(avec l'autorisation de P. Moity pour dépôt sur halshs)To what...
L’épanouissement de l’histoire de la photographie et la multiplication des questions qu’elle formule...
By focusing on the indices characterising photography (i.e. its very nature of luminous imprint), c...
Beaugé (Gilbert). — From the appearances of features to the features of appearances. Photography and...
Beaugé (Gilbert). — From the appearances of features to the features of appearances. Photography and...
Les objectifs de ce séminaire sont de permettre aux participants d'acquérir des connaissances plus a...
"Mais il ne s'agit pas non plus de réduire la photographie à un simple rectangle ou carré-image qui ...
Cette journée d’étude a pour objectif de faire se rencontrer des jeunes chercheurs (doctorants et je...
International audienceWhat Iconography for Contemporary Cultural History ? When observing the heuris...