Alvarez González Marta. Pageantry and the projection of status. The triumphal entries of Catherine of Austria (1585) and Christine of France (1620) in Turin. Planches. In: Mélanges de l'École française de Rome. Italie et Méditerranée, tome 115, n°1. 2003. Représentation et identité en Italie et en Europe (XVe–XIXe siècle) pp. 1-2
The Honor of the Noble, the Fame of the Mighty. - The Definition of the Italian Magnates (1280-1400)...
L’État, la cour et la ville. Le duché de Savoie au temps de Christine de France (1619-1663) chiude l...
Jean Boutier, Trois conjurations italiennes : Florence (1575), Parme (1611), Gênes (1628), p. 319-37...
Alvarez González Marta. Pageantry and the projection of status. The triumphal entries of Catherine o...
In an attempt to bring to light the complex, multi-layered nature of earlymodern pageantry, the arti...
peer reviewedLa figure de Christine de France (1606-1663), fille d’Henri IV et de Marie de Médicis, ...
Edelstein Bruce. The Camera Verde. A public center for the duchess of Florence in the Palazzo Vecchi...
3612. Camus (J.), La venue en France de Valentine Visconti, duchesse d'Orléans, et l'inventaire de s...
Recent historiography has often considered the artistic policy of Christine de France, duchess and r...
International audienceMagnificence, from virtue that it was for Aristotle, which inspired generous d...
Miller Maureen. Architecture, representation, and presence : Alessandro de’ Medici’s new façade for ...
Deuxième fille de Philippe II, roi d’Espagne, et d’Élisabeth de France, Catherine-Michelle d'Autrich...
Lecoq Anne-Marie. Bonner Mitchell: The Majesty of the Sate. Triumphal progresses of foreign sovereig...
671. Ferrerio (Zaccaria), Promotiones et progressus sacro-sancti Pisani concilii, indicti et inchoat...
Painting was not a « trivial » contribution towards imperial cult, the Prince being considered as a ...
The Honor of the Noble, the Fame of the Mighty. - The Definition of the Italian Magnates (1280-1400)...
L’État, la cour et la ville. Le duché de Savoie au temps de Christine de France (1619-1663) chiude l...
Jean Boutier, Trois conjurations italiennes : Florence (1575), Parme (1611), Gênes (1628), p. 319-37...
Alvarez González Marta. Pageantry and the projection of status. The triumphal entries of Catherine o...
In an attempt to bring to light the complex, multi-layered nature of earlymodern pageantry, the arti...
peer reviewedLa figure de Christine de France (1606-1663), fille d’Henri IV et de Marie de Médicis, ...
Edelstein Bruce. The Camera Verde. A public center for the duchess of Florence in the Palazzo Vecchi...
3612. Camus (J.), La venue en France de Valentine Visconti, duchesse d'Orléans, et l'inventaire de s...
Recent historiography has often considered the artistic policy of Christine de France, duchess and r...
International audienceMagnificence, from virtue that it was for Aristotle, which inspired generous d...
Miller Maureen. Architecture, representation, and presence : Alessandro de’ Medici’s new façade for ...
Deuxième fille de Philippe II, roi d’Espagne, et d’Élisabeth de France, Catherine-Michelle d'Autrich...
Lecoq Anne-Marie. Bonner Mitchell: The Majesty of the Sate. Triumphal progresses of foreign sovereig...
671. Ferrerio (Zaccaria), Promotiones et progressus sacro-sancti Pisani concilii, indicti et inchoat...
Painting was not a « trivial » contribution towards imperial cult, the Prince being considered as a ...
The Honor of the Noble, the Fame of the Mighty. - The Definition of the Italian Magnates (1280-1400)...
L’État, la cour et la ville. Le duché de Savoie au temps de Christine de France (1619-1663) chiude l...
Jean Boutier, Trois conjurations italiennes : Florence (1575), Parme (1611), Gênes (1628), p. 319-37...
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