It has been proposed that non-conventional presentations of visual information could be very useful as a scaffolding strategy in the learning of Western music notation. As a result, this study has attempted to determine if there is any effect of static and dynamic presentation modes of visual information in the recognition of sound patterns. An intervention-based quasi-experimental design was adopted with two groups of fifth-grade students in a Spanish city. Students did tasks involving discrimination, auditory recognition and symbolic association of the sound patterns with non-musical representations, either static images (S group), or dynamic images (D group). The results showed neither statistically significant differences in the scores...
Instructional dynamic pictures (animations and videos) contain transient visual information. Consequ...
The purpose of this study had three general aims. First, in controlling the acoustical concepts in e...
Abstract: This study is the result of a two-year experimental collaboration with children from my pi...
It has been proposed that non-conventional presentations of visual information could be very useful ...
Listening is a common activity in music lessons. It is difficult for teachers to know whether studen...
Presentation of information in combined perceptual modalities could facilitate both the learning of ...
Listening is a common activity in music lessons. It is difficult for teachers to know whether stud...
The purpose of this study was to examine the effect of three rhythm presentation modalities on the r...
This master’s thesis is an attempt to explore sixth-graders’ (n=18) responses to a “rhythmic music” ...
A videotaped music-listening test was developed in which 30 brief melodies were paired with visual-s...
The aim of this study was to analyze children’s graphical notations as external representations of t...
Thepurpose of this study was to examine the effect of three rhythm presentation modalities on the re...
Can a bodily engagement with music affect the process of musical meaning formation and, as such, aff...
Learning how to listen to music is important, in order to better understand and appreciate it. Child...
This article tries to answer two related questions: (i) what do children hear while listening to and...
Instructional dynamic pictures (animations and videos) contain transient visual information. Consequ...
The purpose of this study had three general aims. First, in controlling the acoustical concepts in e...
Abstract: This study is the result of a two-year experimental collaboration with children from my pi...
It has been proposed that non-conventional presentations of visual information could be very useful ...
Listening is a common activity in music lessons. It is difficult for teachers to know whether studen...
Presentation of information in combined perceptual modalities could facilitate both the learning of ...
Listening is a common activity in music lessons. It is difficult for teachers to know whether stud...
The purpose of this study was to examine the effect of three rhythm presentation modalities on the r...
This master’s thesis is an attempt to explore sixth-graders’ (n=18) responses to a “rhythmic music” ...
A videotaped music-listening test was developed in which 30 brief melodies were paired with visual-s...
The aim of this study was to analyze children’s graphical notations as external representations of t...
Thepurpose of this study was to examine the effect of three rhythm presentation modalities on the re...
Can a bodily engagement with music affect the process of musical meaning formation and, as such, aff...
Learning how to listen to music is important, in order to better understand and appreciate it. Child...
This article tries to answer two related questions: (i) what do children hear while listening to and...
Instructional dynamic pictures (animations and videos) contain transient visual information. Consequ...
The purpose of this study had three general aims. First, in controlling the acoustical concepts in e...
Abstract: This study is the result of a two-year experimental collaboration with children from my pi...