The genesis of the Warsaw Autumn Festival was fraught with both potential and real complications. Musical life in Poland at the end of the first postwar decade was in a state of flux, if not turmoil, as ideological disagreements and material complications contributed to an atmosphere of dismay and distrust among musicians and authorities. This paper provides insight into the context in which the Festival’s organizers were operating, particularly the shortcomings of musical life in mid-decade that threatened to derail the Festival before it even began
Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role...
School of Arts / Performance Research GroupThe political and economic crises in Europe has seen a br...
It has become second nature for scholars of twentieth-century music to acknowledge that the "modern"...
The present paper surveys the history of the Warsaw Autumn festival focusing on changes in the Festi...
This article aims to offer a broader understanding of the Lithuanian reception of the Warsaw Autumn ...
This article aims to offer a broader understanding of the Lithuanian reception of the Warsaw Autumn ...
During different stages of the Cold War, the communication and collaboration of Polish and Lithuania...
This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. ...
The paper focuses on popular music as a particular kind of cultural memory. Music, as a form of cult...
In this chapter I present the history of three Polish popular music festivals, Open’er in Gdynia, Au...
ABSTRACT: Soviet guitar poetry (avtorskaia pesnia) enjoyed popularity in communist-era Poland, with ...
When the Second World War ended, Germany embarked on a period of heightened reconstruction. Along wi...
The aim of this article is to demonstrate the usefulness of the oral history research method for the...
Examines the exercise of power in the Stalinist music world as well as the ways in which composers a...
Dożynki, the harvest festival, is celebrated throughout Poland when all crops are taken from the fie...
Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role...
School of Arts / Performance Research GroupThe political and economic crises in Europe has seen a br...
It has become second nature for scholars of twentieth-century music to acknowledge that the "modern"...
The present paper surveys the history of the Warsaw Autumn festival focusing on changes in the Festi...
This article aims to offer a broader understanding of the Lithuanian reception of the Warsaw Autumn ...
This article aims to offer a broader understanding of the Lithuanian reception of the Warsaw Autumn ...
During different stages of the Cold War, the communication and collaboration of Polish and Lithuania...
This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. ...
The paper focuses on popular music as a particular kind of cultural memory. Music, as a form of cult...
In this chapter I present the history of three Polish popular music festivals, Open’er in Gdynia, Au...
ABSTRACT: Soviet guitar poetry (avtorskaia pesnia) enjoyed popularity in communist-era Poland, with ...
When the Second World War ended, Germany embarked on a period of heightened reconstruction. Along wi...
The aim of this article is to demonstrate the usefulness of the oral history research method for the...
Examines the exercise of power in the Stalinist music world as well as the ways in which composers a...
Dożynki, the harvest festival, is celebrated throughout Poland when all crops are taken from the fie...
Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role...
School of Arts / Performance Research GroupThe political and economic crises in Europe has seen a br...
It has become second nature for scholars of twentieth-century music to acknowledge that the "modern"...